Caribbean and Atlantic diaspora dance : igniting citizenship /
" In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the is...
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| Format: | Book |
| Language: | English |
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Urbana, Ill. :
University of Illinois Press,
[2011], ©2011
Urbana, Ill. : c2011 Urbana, Ill. : ©2011 Urbana, Ill. : [2011] |
| Subjects: |
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| 100 | 1 | |a Daniel, Yvonne, |d 1940- |1 http://viaf.org/viaf/115035481 | |
| 100 | 1 | |a Daniel, Yvonne, |d 1940- | |
| 245 | 1 | 0 | |a Caribbean and Atlantic diaspora dance : |b igniting citizenship / |c Yvonne Daniel |
| 260 | |a Urbana, Ill. : |b University of Illinois Press, |c [2011], ©2011 | ||
| 260 | |a Urbana, Ill. : |b University of Illinois Press, |c c2011 | ||
| 260 | |a Urbana, Ill. : |b University of Illinois Press, |c ©2011 | ||
| 264 | 1 | |a Urbana, Ill. : |b University of Illinois Press, |c [2011] | |
| 264 | 4 | |c ©2011 | |
| 300 | |a xviii, 266 p. : |b ill. ; |c 23 cm | ||
| 300 | |a xviii, 266 p., [6] p. of plates : |b ill ; |c 24 cm | ||
| 300 | |a xviii, 266 pages : |b illustrations ; |c 23 cm | ||
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| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [223]-252) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |g Chapter 1 |t Diaspora Dance: Courageous Performers |g 1 -- |g Chapter 2 |t Diaspora Dance in the History of Dance Studies |g 20 -- |g Chapter 3 |t Contredanse and Caribbean Bodies |g 41 -- |g Chapter 4 |t Creole Dances in National Rhythms |g 77 -- |g Chapter 5 |t Caribbean Popular Dance Transformations |g 93 -- |g Chapter 6 |t Parading the Carnivalesque: Masking Circum-Caribbean Demands (with Catherine Evleshin) |g 108 -- |g Chapter 7 |t Resilient Diaspora Rituals |g 129 -- |g Chapter 8 |t Ferocious Dance |g 159 -- |g Chapter 9 |t Tourism, Globalization, and Caribbean Dance |g 170 |
| 520 | |a " In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher | ||
| 520 | |a " In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher | ||
| 520 | |a " In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de ma̕n. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher | ||
| 520 | |a "In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de ma̕n. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher | ||
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