Music, modern culture, and the critical ear /
| Other Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York, NY :
Routledge, an imprint of the Taylor & Francis Group,
2018
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| Subjects: |
Table of Contents:
- Peter Franklin's guilty pleasures / Susan McClary
- From opera house to cinema: forging a new discipline in 1988 / Kate Daubney
- Extraordinary listening (Mahler - and Franklin) / Sherry Lee and Thomas Peattie
- Korngold's Violanta: Venice, carnival, and the masking of identities / Ben Winters
- Erik Satie and the subject(s) of mobility / Jonathan Hicks
- "Ein Menschenherz geopfert - oder viele!": Hans Pfitzner and the idea of a Volksoper / Nicholas Attfield
- The architecture of trauma: Richard Strauss, Salzburg, and the Great War / Matthew Werley
- Cozarinsky's La guerre d'un seul homme and musical categories: (re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically / Alexander Binns
- "Britten minor": constructing the modernist canon / Christopher Chowrimootoo
- Elgar's part-song cycle, op. 53: idealism and education / Aidan J. Thomson
- "It must be done fresh and new" - Bernard Herrmann's score for North by northwest / David Cooper
- Back from the dead: Kubrick, music, and the auteur / Christopher Morris