Climate lyricism /

Climate lyricism /

Show other versions (2)

"In Climate Lyricism Min Hyoung Song articulates a climate change-centered reading practice that foregrounds how climate is present in most literature. Song shows how literature, poetry, and essays by Tommy Pico, Solmaz Sharif, Frank O'Hara, Ilya Kaminsky, Claudia Rankine, Kazuo Ishiguro,...

Full description

Bibliographic Details
Main Author: Song, Min, 1970- (Author, http://id.loc.gov/vocabulary/relators/aut)
Format: Book
Language:English
Published: Durham : Duke University Press, 2022
Subjects:
1900-1999
20th century
Climatic changes in literature > ^A3243603
Climatic changes in literature
Literature, Modern > 20th century > History and criticism > ^A1035088
Literature, Modern > 20th century > History and criticism
Climat > Changements, dans la littérature
Climat > Changements, dans la littérature
Littérature > 20e siècle > Histoire et critique
Littérature > 20e siècle > Histoire et critique
LITERARY CRITICISM / Modern / 21st Century
Literature, Modern
SOCIAL SCIENCE / Ethnic Studies / General
Criticism, interpretation, etc
Table of Contents:
  • The Practice of Sustaining Attention to Climate Change
  • Part 1. Scope
  • What Is Denial? Kazuo Ishiguro's Never Let Me Go, Teju Cole's Open City, and Sally Wen Mao's "Occidentalism"
  • Why Revive the Lyric? Claudia Rankine's Citizen and Craig Santos Perez's "Love in a Time of Climate Change"
  • Why Stay with Bad Feelings? Ilya Kaminsky's Deaf Republic and Tommy Pico's IRL
  • How Should I Live? Inattention and Everyday-Life Projects
  • Part 2. Breath
  • What's Wrong with Narrative? The Promises and Disappointments of Climate Fiction
  • Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie
  • Part 3. Urgency
  • The Scale of the Everyday, Part 1: The Keeling Curve, Frank O'Hara, and Bernadette Mayer
  • The Scale of the Everyday, Part 2: Ada Limón, Tommy Pico, and Solmaz Sharif
  • The Global Novel Imagines the Afterlife: George Saunders, J. M. Coetzee, and Han Kang
  • The Foreign Present-Who Are We to Each Other?
  • The Practice of Sustaining Attention to Climate Change
  • Scope
  • What Is Denial? Kazuo Ishiguro's Never Let Me Go, Teju Cole's Open City, and Sally Wen Mao's "Occidentalism"
  • Why Revive the Lyric? Claudia Rankine's Citizen and Craig Santos Perez's "Love in a Time of Climate Change"
  • Why Stay with Bad Feelings? Ilya Kaminsky's Deaf Republic and Tommy Pico's IRL
  • How Should I Live? Inattention and Everyday-Life Projects
  • Breath
  • What's Wrong with Narrative? The Promises and Disappointments of Climate Fiction
  • Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie
  • Urgency
  • The Scale of the Everyday, Part 1: The Keeling Curve, Frank O'Hara, and Bernadette
  • Mayer
  • The Scale of the Everyday, Part 2: Ada Limón, Tommy Pico, and Solmaz Sharif
  • The Global Novel Imagines the Afterlife: George Saunders, J. M. Coetzee, and Han Kang
  • The Foreign Present--Who Are We to Each Other?
  • The Practice of Sustaining Attention to Climate Change
  • Scope
  • What Is Denial? Kazuo Ishiguro's Never Let Me Go, Teju Cole's Open City, and Sally Wen Mao's "Occidentalism"
  • Why Revive the Lyric? Claudia Rankine's Citizen and Craig Santos Perez's "Love in a Time of Climate Change"
  • Why Stay with Bad Feelings? Ilya Kaminsky's Deaf Republic and Tommy Pico's IRL
  • How Should I Live? Inattention and Everyday-Life Projects
  • Breath
  • What's Wrong with Narrative? The Promises and Disappointments of Climate Fiction
  • Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie
  • Urgency
  • The Scale of the Everyday, Part 1: The Keeling Curve, Frank O'Hara, and Bernadette
  • Mayer
  • The Scale of the Everyday, Part 2: Ada Limón, Tommy Pico, and Solmaz Sharif
  • The Global Novel Imagines the Afterlife: George Saunders, J. M. Coetzee, and Han Kang
  • The Foreign Present--Who Are We to Each Other?
  • The Practice of Sustaining Attention to Climate Change
  • Scope
  • hat Is Denial? Kazuo Ishiguro's Never Let Me Go, Teju Cole's Open City, and Sally Wen Mao's "Occidentalism"
  • Why Revive the Lyric? Claudia Rankine's Citizen and Craig Santos Perez's "Love in a Time of Climate Change"
  • Why Stay with Bad Feelings? Ilya Kaminsky's Deaf Republic and Tommy Pico's IRL
  • How Should I Live? Inattention and Everyday-Life Projects
  • Breath
  • What's Wrong with Narrative? The Promises and Disappointments of Climate Fiction
  • Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie
  • Urgency
  • The Scale of the Everyday, Part 1: The Keeling Curve, Frank O'Hara, and Bernadette
  • Mayer
  • The Scale of the Everyday, Part 2: Ada Limo̹n, Tommy Pico, and Solmaz Sharif
  • The Global Novel Imagines the Afterlife: George Saunders, J. M. Coetzee, and Han Kang
  • The Foreign Present-Who Are We to Each Other?
  • The Practice of Sustaining Attention to Climate Change
  • Scope
  • hat Is Denial? Kazuo Ishiguro's Never Let Me Go, Teju Cole's Open City, and Sally Wen Mao's "Occidentalism"
  • Why Revive the Lyric? Claudia Rankine's Citizen and Craig Santos Perez's "Love in a Time of Climate Change"
  • Why Stay with Bad Feelings? Ilya Kaminsky's Deaf Republic and Tommy Pico's IRL
  • How Should I Live? Inattention and Everyday-Life Projects
  • Breath
  • What's Wrong with Narrative? The Promises and Disappointments of Climate Fiction
  • Where Are We Now? Scalar Variance, Persistence, Swing, and David Bowie
  • Urgency
  • The Scale of the Everyday, Part 1: The Keeling Curve, Frank O'Hara, and Bernadette
  • Mayer
  • The Scale of the Everyday, Part 2: Ada Limo̹n, Tommy Pico, and Solmaz Sharif
  • The Global Novel Imagines the Afterlife: George Saunders, J. M. Coetzee, and Han Kang
  • The Foreign Present-Who Are We to Each Other?

Similar Items