On art /

"This volume offers for the first time in English the most significant texts written by the Russian conceptual artist, performer, and painter Ilya Kabakov. The writings have been expressly selected for this English-language volume; there exists no equivalent volume in any language."--Provi...

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Bibliographic Details
Main Authors: Kabakov, Ilʹi︠a︡ Iosifovich, 1933- (Author, http://id.loc.gov/vocabulary/relators/aut), Kabakov, Ilʹi͡a Iosifovich, 1933- (Author)
Other Authors: Bouis, Antonina W (Translator), Bouis, Antonina W. (Translator, http://id.loc.gov/vocabulary/relators/trl), Jackson, Matthew Jesse (Editor, Translator, http://id.loc.gov/vocabulary/relators/edt, http://id.loc.gov/vocabulary/relators/win, http://id.loc.gov/vocabulary/relators/trl), Martin, Cynthia L (Russian teacher) (Translator, http://id.loc.gov/vocabulary/relators/trl)
Format: Book
Language:English
Russian
Published: Chicago ; London : The University of Chicago Press, 2018
Subjects:
Art
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100 1 |6 880-01  |a Kabakov, Ilʹi︠a︡ Iosifovich,  |d 1933-  |e author 
100 1 |a Kabakov, Ilʹi͡a Iosifovich,  |d 1933-  |e author  |= ^A539089 
100 1 |a Kabakov, Ilʹi͡a Iosifovich,  |d 1933-  |e author 
100 1 |a Kabakov, Ilʹi︠a︡ Iosifovich,  |d 1933-  |e author  |4 http://id.loc.gov/vocabulary/relators/aut 
100 1 |a Kabakov, Ilʹi︠a︡ Iosifovich,  |d 1933-  |e author 
240 1 0 |a Essays  |k Selections.  |l English.  |f 2018 
240 1 0 |a Essays  |k Selections.  |l English.  |f 2018. 
245 1 0 |a On art /  |c Ilya Kabakov ; edited with an introduction by Matthew Jesse Jackson ; translated by Antonina W. Bouis and Cynthia Martin with Matthew Jesse Jackson 
264 1 |a Chicago ;  |a London :  |b The University of Chicago Press,  |c 2018 
264 4 |c ©2018 
300 |a xii, 367 pages :  |b illustrations ;  |c 23 cm 
300 |a xii, 367 pages :  |b illustrations ;  |c 24 cm 
300 |a xii, 367 pages ;  |c 23 cm 
336 |a text  |2 rdacontent 
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337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |2 rdacarrier 
338 |a volume  |b nc  |2 rdacarrier 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
500 |a Translated from the Russian 
504 |a Includes bibliographical references (pages 361-362) and index 
504 |a Includes bibliographical references and index 
505 0 0 |t Introduction /  |r Matthew Jesse Jackson --  |t Culture, "I," "it," and Favorsky's light ("rhombus") --  |t Nozdrev and Pliushkin --  |t . . . Everything is in the turning of the pages --  |t On emptiness --  |t The creator looks at his work twice --  |t Dust, dirt, and garbage (dust as an object of contemplation) --  |t Discourse on the perception of the three layers, three levels, into which an ordinary, anonymous written product -- notices, slips, menus, bills, tickets, etc. -- may be broken down --  |t Epistemological thirst --  |t Not everyone will be taken into the future --  |t New rhombus --  |t Without culture --  |t Park of culture --  |t From the 1960s and the 1970s: notes on unofficial life in Moscow --  |t The artist-character --  |t From an apologia for personalism in the art of the 1960s: an impassioned monologue on 23 June 1986 --  |t Conceptualism in Russia --  |t Edge, border, crack --  |t Art has no unloved children --  |t How I became a character myself --  |t A story about a "culturally relocated" individual --  |t From on "total" installation --  |t Text as the foundation of visual expression --  |t On risk --  |t On Cézannism --  |t The spirit of music --  |t Public projects, or the spirit of a place --  |t Why was it necessary to use the "character" device for the exhibition rather than signing my own name? --  |t Nikolai Petrovich (commentary) --  |t From Catalog 
505 0 0 |t Introduction /  |r Matthew Jesse Jackson --  |t Culture, "I," "it," and Favorsky's light ("rhombus") --  |t Nozdrev and Pliushkin --  |t . . . Everything is in the turning of the pages --  |t On emptiness --  |t The creator looks at his work twice --  |t Dust, dirt, and garbage (dust as an object of contemplation) --  |t Discourse on the perception of the three layers, three levels, into which an ordinary, anonymous written product -- notices, slips, menus, bills, tickets, etc. -- may be broken down --  |t Epistemological thirst --  |t Not everyone will be taken into the future --  |t New rhombus --  |t Without culture --  |t Park of culture --  |t From the 1960s and the 1970s: notes on unofficial life in Moscow --  |t The artist-character --  |t From an apologia for personalism in the art of the 1960s: an impassioned monologue on 23 June 1986 --  |t Conceptualism in Russia --  |t Edge, border, crack --  |t Art has no unloved children --  |t How I became a character myself --  |t A story about a "culturally relocated" individual --  |t From on "total" installation --  |t Text as the foundation of visual expression --  |t On risk --  |t On Cézannism --  |t The spirit of music --  |t Public projects, or the spirit of a place --  |t Why was it necessary to use the "character" device for the exhibition rather than signing my own name? --  |t Nikolai Petrovich (commentary) --  |t From Catalog 
505 0 0 |t Introduction /  |r by Matthew Jesse Jackson --  |t Culture, "I," "it," and Favorsky's light ("rhombus") (1980)--  |t Nozdrev and Pliushkin (1981)--  |t ...Everything is in the turning of the pages (1981)--  |t On emptiness (1982)--  |t The creator looks at his work twice (1982)--  |t Dust, dirt, and garbage (dust as an object of contemplation) (1982)--  |t Discourse on the perception of the three layers, three levels, into which an ordinary, anonymous written product - notices, slips, menus, bills, tickets, etc. - may be broken down (1982)--  |t Epistemological thirst (1982)--  |t Not everyone will be taken into the future (1983)--  |t New rhombus (1983)--  |t Without culture (1983)--  |t Park of culture (1984)--  |t From the 1960s and the 1970s: notes on unofficial life in Moscow (1982-1984)--  |t The artist-character (1985)--  |t From an apologia for personalism in the art of the 1960s: an impassioned monologue on 23 June 1986 (1986)--  |t Conceptualism in Russia (1986)--  |t Edge, border, crack (1986)--  |t Art has no unloved children (1987)--  |t How I became a character myself (1989)--  |t A story about a "culturally relocated" individual (1994)--  |t From on "total" installation (1995)--  |t Text as the foundation of visual expression (1995)--  |t On risk (1997)--  |t On Cézannism (1997)--  |t The spirit of music (1997)--  |t Public projects, or the spirit of a place (2001)--  |t Why was it necessary to use the "character" device for the exhibition rather than signing my own name? (2004)--  |t Nikolai Petrovich (commentary) (2008)--  |t From Catalog (2009) 
520 |a "This volume offers for the first time in English the most significant texts written by the Russian conceptual artist, performer, and painter Ilya Kabakov. The writings have been expressly selected for this English-language volume; there exists no equivalent volume in any language."--Provided by publisher 
546 |a Translated from the Russian 
596 |a 2 
648 7 |a 1900-1999  |2 fast 
648 7 |a 20th century  |2 fast 
650 0 |a Art  |= ^A993910 
650 0 |a Art  |x Philosophy  |= ^A993938 
650 0 |a Art  |x Philosophy 
650 0 |a Art 
650 0 |a Art, Modern  |y 20th century  |= ^A994194 
650 0 |a Art, Modern  |y 20th century 
650 0 |a Art, Modern 
650 0 |a Art, Russian  |= ^A994251 
650 0 |a Art, Russian 
650 0 |a Conceptualism  |= ^A1006825 
650 0 |a Conceptualism 
650 0 |a Installations (Art)  |= ^A1028788 
650 0 |a Installations (Art) 
650 6 |a Art russe 
650 6 |a Art  |x Philosophie 
650 6 |a Art  |y 20e siècle 
650 6 |a Conceptualisme 
650 6 |a Installations (Art) 
650 7 |a ART / General  |2 bisacsh 
650 7 |a ART / General  |2 bisacsh. 
650 7 |a Art  |2 fast 
650 7 |a Art  |x Philosophy  |2 fast 
650 7 |a Art, Modern  |2 fast 
650 7 |a Art, Russian  |2 fast 
650 7 |a Conceptualism  |2 fast 
650 7 |a Installations (Art)  |2 fast 
650 7 |a installations (visual works)  |2 aat 
655 7 |a Art  |2 fast  |0 http://id.worldcat.org/fast/1423702 
655 7 |a Art  |2 fast 
655 7 |a Art  |2 lcgft 
655 7 |a works of art  |2 aat 
655 7 |a Œuvres d'art  |2 rvmgf 
700 1 |a Bouis, Antonina W  |e translator.  |0 http://viaf.org/viaf/71468104 
700 1 |a Bouis, Antonina W.,  |e translator  |4 http://id.loc.gov/vocabulary/relators/trl 
700 1 |a Bouis, Antonina W.,  |e translator  |= ^A590147 
700 1 |a Bouis, Antonina W.,  |e translator 
700 1 |a Jackson, Matthew Jesse  |e editor,  |e writer of introduction,  |e translator  |0 http://viaf.org/viaf/90500476 
700 1 |a Jackson, Matthew Jesse  |e editor,  |e writer of introduction,  |e translator  |= ^A2530706 
700 1 |a Jackson, Matthew Jesse,  |e editor,  |e writer of introduction,  |e translator  |4 http://id.loc.gov/vocabulary/relators/edt  |4 http://id.loc.gov/vocabulary/relators/win  |4 http://id.loc.gov/vocabulary/relators/trl 
700 1 |a Jackson, Matthew Jesse,  |e editor,  |e writer of introduction,  |e translator 
700 1 |a Martin, Cynthia L  |c (Russian teacher)  |e translator.  |0 http://viaf.org/viaf/72306189 
700 1 |a Martin, Cynthia L  |c (Russian teacher)  |e translator. 
700 1 |a Martin, Cynthia L  |c (Russian teacher),  |e translator.  |4 http://id.loc.gov/vocabulary/relators/trl 
700 1 |a Martin, Cynthia L  |c (Russian teacher),  |e translator.  |= ^A3699121 
700 1 |a Martin, Cynthia L  |c (Russian teacher),  |e translator. 
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