David Malouf /
David Malouf is one of Australia's most popular novelists, and also one of its most elusive. Drawing on the whole range of his work - fiction, poetry, essays, his plays and his libretti - Ivor Indyk presents Malouf as both a primitive and a romantic, a writer who draws deeply on the rhythms of...
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Melbourne :
Oxford University Press,
1993
Melbourne ; New York : 1993 Melbourne ; Oxford : 1993 Melbourne ; New York : 1993 |
| Series: | Australian writers
Australian writers Australian writers |
| Subjects: |
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| 100 | 1 | |a Indyk, Ivor | |
| 245 | 1 | 0 | |a David Malouf / |c Ivor Indyk |
| 260 | |a Melbourne : |b Oxford University Press, |c 1993 | ||
| 260 | |a Melbourne ; |a New York : |b Oxford University Press, |c 1993 | ||
| 260 | |a Melbourne ; |a Oxford : |b Oxford University Press, |c 1993 | ||
| 264 | 1 | |a Melbourne ; |a New York : |b Oxford University Press, |c 1993 | |
| 300 | |a viii, 114 p.; |c 20 cm | ||
| 300 | |a viii, 115 p. ; |c 20 cm | ||
| 300 | |a viii, 115 pages ; |c 20 cm | ||
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| 490 | 1 | |a Australian writers | |
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| 500 | |a This Yale-originated record is shareable under Creative Commons license CC0 |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 110-114) | ||
| 504 | |a Includes bibliographical references (pages 110-114) | ||
| 504 | |a Includes bibliographical references | ||
| 505 | 0 | |a Fathers and lovers -- Desire and distance -- Emblems -- Social surfaces, primitive depths -- The temptation of epic | |
| 520 | |a David Malouf is one of Australia's most popular novelists, and also one of its most elusive. Drawing on the whole range of his work - fiction, poetry, essays, his plays and his libretti - Ivor Indyk presents Malouf as both a primitive and a romantic, a writer who draws deeply on the rhythms of nature in his expression of dark desires which go largely unrecognised in the social domain | ||
| 520 | |a David Malouf is one of Australia's most popular novelists, and also one of its most elusive. Drawing on the whole range of his work, Indyk presents Malouf as both a primitive and a romantic--a writer who turns to the natural world for the expression of desires which are proscribed or not recognized in the social realm. Indyk's study takes the form of a long essay or meditation, which explores the hidden logic of Malouf's art--as fiction, poetry, essay, drama, libretto--revealing an underlying technique which works through emblem and analogy, releasing energies that might be inhibited by more direct forms of expression. This emblematic technique allows Malouf to probe the dark sides of desire, its relationship to violence, savagery, and even death, while on the other hand, it underwrites his moments of poetic illumination, as he strives toward a visionary apprehension of unity and belonging | ||
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