Juvenilia : poems, 1922-1928 /

Regardless of how poets feel about their youthful attempts at verse, their early poems not only enrich our understanding of their artistic growth, but also reveal much about the nature of literary genius. No other twentieth-century poet has left behind such a wealth of early poetry as did W.H. Auden...

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Bibliographic Details
Main Author: Auden, W. H (Wystan Hugh), 1907-1973
Corporate Authors: Gotham Book Mart Collection (University of Pennsylvania), Harris Collection of American Poetry and Plays (Brown University) Poetry, 1926-1950
Other Authors: Bucknell, Katherine
Format: Book
Language:English
Published: Princeton, N.J. : Princeton University Press, c1994
Princeton, N.J. : c2003
Princeton, N.J. : ©1994
Princeton, N.J. : [1994]
Edition:Expanded pbk. ed
Series:Auden, W. H (Wystan Hugh), 1907-1973. Works. 1988
Subjects:
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100 1 |a Auden, W. H  |q (Wystan Hugh),  |d 1907-1973  |0 http://viaf.org/viaf/sourceID/LC|n79054316 
100 1 |a Auden, W. H  |q (Wystan Hugh),  |d 1907-1973  |1 http://viaf.org/viaf/2465832 
100 1 |a Auden, W. H  |q (Wystan Hugh),  |d 1907-1973.  |1 http://viaf.org/viaf/2465832 
100 1 |a Auden, W. H  |q (Wystan Hugh),  |d 1907-1973. 
245 1 0 |a Juvenilia :  |b poems, 1922-1928 /  |c W.H. Auden ; edited by Katherine Bucknell 
250 |a Expanded pbk. ed 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c c1994 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c c2003 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c ©1994 
263 |a 9405 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c [1994] 
264 4 |c ©1994 
300 |a 263 p 
300 |a lxxii, 263 p. ;  |c 24 cm 
300 |a lxxii, 263 p. ;  |c 25 cm 
300 |a lxxii, 263 pages ;  |c 25 cm 
300 |a lxxii, 281 p. ;  |c 24 cm 
300 |a xvii, 263 p. ;  |c 24 cm 
300 |a xvii, 263 pages ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a The complete works of W.H. Auden 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references and index 
504 |a Includes bibliographical references and indexes 
505 0 0 |t California --  |t A Moment --  |t The Blind Lead the Blind --  |t Pardon --  |t Dawn ('Far into the vast the mists grow dim') --  |t On Seeing Some Dutch Pictures --  |t Joy --  |t Envoi ('You go') --  |t Envoi No. 2 ('You go') --  |t The Circus --  |t Everest --  |t A Dream --  |t A February Dawn --  |t A Rainy Afternoon --  |t The Coming of Love --  |t Nightfall ('Cool whisper of the trees') --  |t Envoi ('Take up your load and go, lad') --  |t To a Toadstool --  |t To a Field-mouse --  |t To a Small Buddha --  |t On a Greek Tomb Relief --  |t After Reading Keats' Ode --  |t Belief --  |t Sonnet ('This world is full of lovely things') --  |t A Tale --  |t Early Morning Bathing --  |t Woods in Rain --  |t Appletreewick --  |t The Sower --  |t The Lost Secret --  |t Prayer --  |t Autumn --  |t The Dragon-fly --  |t To a Child in Tears --  |t November at Weybourne --  |t Bawbee --  |t The Old Lead-mine --  |t The Old Mine --  |t March Song --  |t Alston Moor --  |t Skyreholme Mill --  |t By Day --  |t By Night --  |t September --  |t The Plane Tree --  |t Speech --  |t Dawn ('On the cold waterfall, the flush of dawn gleams bright') --  |t Song ('Past all your knowing') --  |t March Winds --  |t The Mill --  |t Two Triolets --  |t The Last Time --  |t By the Fire --  |t The North --  |t We Sat --  |t My Lady of the Wood --  |t March --  |t Envoi ('From the red chimneys smoke climbs slow and straight') --  |t Song ('I have a little book') --  |t Arthur's Quoit, Dyffryn --  |t In the Nursery --  |t Christ in Hades --  |t Sonnet I ('There was desolate silence on the world') --  |t Sonnet II ('It matters not that we shall cease to be') --  |t Vision --  |t Stone Walls ('Where do they travel to') --  |t The Owl --  |t Farglow --  |t Inn Song --  |t The Miner's Wife --  |t In a Train 
505 0 0 |t California --  |t A Moment --  |t The Blind Lead the Blind --  |t Pardon --  |t Dawn ('Far into the vast the mists grow dim') --  |t On Seeing Some Dutch Pictures --  |t Joy --  |t Envoi ('You go') --  |t Envoi No. 2 ('You go') --  |t The Circus --  |t Everest --  |t A Dream --  |t A February Dawn --  |t A Rainy Afternoon --  |t The Coming of Love --  |t Nightfall ('Cool whisper of the trees') --  |t Envoi ('Take up your load and go, lad') --  |t To a Toadstool --  |t To a Field-mouse --  |t To a Small Buddha --  |t On a Greek Tomb Relief --  |t After Reading Keats' Ode --  |t Belief --  |t Sonnet ('This world is full of lovely things') --  |t A Tale --  |t Early Morning Bathing --  |t Woods in Rain --  |t Appletreewick --  |t The Sower --  |t The Lost Secret --  |t Prayer --  |t Autumn --  |t The Dragon-fly --  |t To a Child in Tears --  |t November at Weybourne --  |t Finis --  |t Bawbee --  |t The Old Lead-mine --  |t The Old Mine --  |t March Song --  |t Alston Moor --  |t Skyreholme Mill --  |t I. By Day --  |t II. By Night --  |t September --  |t The Plane Tree --  |t Speech --  |t Dawn ('On the cold waterfall, the flush of dawn gleams bright') --  |t Song ('Past all your knowing') --  |t March Winds --  |t The Mill --  |t Two Triolets --  |t The Last Time --  |t By the Fire --  |t The North --  |t We Sat --  |t My Lady of the Wood --  |t March --  |t Envoi ('From the red chimneys smoke climbs slow and straight') --  |t Song ('I have a little book') --  |t Arthur's Quoit, Dyffryn --  |t In the Nursery --  |t Christ in Hades --  |t Sonnet I ('There was desolate silence on the world') --  |t Sonnet II ('It matters not that we shall cease to be') --  |t Vision --  |t Stone Walls ('Where do they travel to') --  |t The Owl --  |t Farglow --  |t Inn Song --  |t The Miner's Wife --  |t In a Train --  |t Rookhope (Weardale, Summer 1922) --  |t The Cat --  |t By the Gasworks, Solihull --  |t The Robin --  |t Early Morning ('Perched on a nettled stump he stands') --  |t The Walk --  |t Elegy ('Why was it that you gave us no warning') --  |t The Old Colliery --  |t The Rookery --  |t After the Storm --  |t The Tarn --  |t Before ('I mark not without') --  |t Buzzards --  |t 'There is so much that I can share with you' --  |t After the Burial --  |t The Traction-engine --  |t J. S. Bach --  |t The Candles Gutter Low --  |t 'Though thy rafters are grown rotten' --  |t Allendale --  |t At Parting ('Under the lamp's exhausted glare') --  |t The Engine House --  |t 'Since the Autumn day' --  |t The Pumping Engine, Cashwell --  |t 'Whenever I see for the first time' --  |t The Mail-train, Crewe --  |t 'So I must go my way' --  |t He Revisits the Spot --  |t 'The dew steams off the thatches' --  |t 'Now from far eastern wolds, the bay' --  |t Nightfall ('As ghosts peer over a bedroom curtain') --  |t Skyreholme Mill ('The mill-wheel never seems to tire') --  |t Stone Walls ('One almost takes a hedge for granted') --  |t 'Like other men, when I go past' --  |t 'The crocus stars the border' --  |t Damming Stream --  |t Sunday Morning --  |t A Visit --  |t The Hidden Lane (Near Selbrigg, March 1925) --  |t April in a Town --  |t The Mill (Hempstead) --  |t Elegy ('A wagtail splutters in the stream') --  |t Job --  |t Richard Jefferies --  |t The Sawmill --  |t 'Below me Ticknall lay but in the light' --  |t 'The Road's Your Place' --  |t Landscape --  |t The Dying House --  |t Friendship --  |t The Sunken Lane --  |t Punchard --  |t To E. T. --  |t The Canal, Froghall --  |t Song ('The merriest cuckoo') --  |t Sonnet ('April is here but when will Easter come?') --  |t Memento Creatoris Tui --  |t Earth's Praises --  |t Daily Bread --  |t The Dark Fiddler --  |t Maria hat geholfen --  |t Sunshine --  |t Autumn Evening --  |t The Carter's Funeral --  |t Rain --  |t In a Country Churchyard --  |t The Gipsy Girl --  |t Frost --  |t Flowers and Stationmaster --  |t Ploughing --  |t Helen --  |t 'At last, down in the lane' --  |t Christmas Eve --  |t Trippers --  |t [actual symbol not reproducible] --  |t Progress --  |t Waste --  |t Alone --  |t Motherhood --  |t On Receiving a Christmas Card --  |t The Photograph of a Boy in Costume --  |t At the Maison Lyons --  |t An Episode --  |t Song ('The crocus stars the border') --  |t Lead's the Best --  |t Felo de se --  |t Dethroned --  |t April --  |t The Letter --  |t Chloe to Daphnis in Hyde Park --  |t Thomas Prologizes --  |t Pride ('Love's specious information') --  |t At Parting ('Though Time now tears apart') --  |t Portrait --  |t Amor Vincit Omnia --  |t Yes and No --  |t Cinders --  |t Thomas Epilogizes --  |t Humpty Dumpty --  |t Lovers' Lane --  |t Bank Holiday --  |t Last Bus, Saturday Night --  |t Song ('Relation seemed ordained for us') --  |t First Meeting --  |t Consequences --  |t In Due Season --  |t Early Morning ('Earth rolls these houses out into the sun') --  |t Tea-time in November --  |t The Happy Tree --  |t Winter Afternoon --  |t Say Yes! --  |t Ballad --  |t The Last of the Old Year --  |t Before ('Unkempt and furtive the wind crawls') --  |t Encounter --  |t After --  |t Day-dreams of a Tourist --  |t The Evolution of the Dragon --  |t Pride ('When Little Claus meets Big Claus in the road') --  |t Quique Amavit --  |t Easter Monday --  |t Narcissus --  |t Hodge Looks toward London --  |t Aware --  |t Bach and the Lady --  |t Extract --  |t 'Out of sight assuredly, not out of mind' --  |t The Megalopsych --  |t 'The sprinkler on the lawn' --  |t 'I chose this lean country' --  |t 'On the frontier at dawn getting down' --  |t 'No trenchant parting this' --  |t 'Truly our fathers had the gout' --  |t 'We, knowing the family history' --  |t 'Who stands, the crux left of the watershed' --  |t 'Suppose they met, the inevitable procedure' --  |t 'The crowing of the cock' --  |t 'Nor was that final, for about that time' --  |t 'Deemed this an outpost, I' --  |t 'Because sap fell away' --  |t 'The mind to body spoke the whole night through' --  |t 'From the very first coming down' --  |t 'The four sat on in the bare room' --  |t 'The houses rolled into the sun' --  |t 'The colonel to be shot at dawn' --  |t 'To-night when a full storm surrounds the house' --  |t 'The weeks of blizzard over' --  |t 'Light strives with darkness, right with wrong' --  |t 'Control of the Passes was, he saw, the key' --  |t 'Taller to-day, we remember similar evenings' --  |t 'The spring will come' --  |t 'The summer quickens grass' --  |t '"Grow thin by walking and go inland"' --  |t 'Some say that handsome raider still at large' --  |t 'Often the man, alone shut, shall consider' --  |t 'To throw away the key and walk away' --  |t 'The Spring unsettles sleeping partnerships' --  |t 'No, not from this life, not from this life is any' --  |t Appendix: 'Rotation' by 'Mystan Baudom' 
505 0 0 |t California --  |t A Moment --  |t The Blind Lead the Blind --  |t Pardon --  |t Dawn ('Far into the vast the mists grow dim') --  |t On Seeing Some Dutch Pictures --  |t Joy --  |t Envoi ('You go') --  |t Envoi No. 2 ('You go') --  |t The Circus --  |t Everest --  |t A Dream --  |t A February Dawn --  |t A Rainy Afternoon --  |t The Coming of Love --  |t Nightfall ('Cool whisper of the trees') --  |t Envoi ('Take up your load and go, lad') --  |t To a Toadstool --  |t To a Field-mouse --  |t To a Small Buddha --  |t On a Greek Tomb Relief --  |t After Reading Keats' Ode --  |t Belief --  |t Sonnet ('This world is full of lovely things') --  |t A Tale --  |t Early Morning Bathing --  |t Woods in Rain --  |t Appletreewick --  |t The Sower --  |t The Lost Secret --  |t Prayer --  |t Autumn --  |t The Dragon-fly --  |t To a Child in Tears --  |t November at Weybourne --  |t Finis --  |t Bawbee --  |t The Old Lead-mine --  |t The Old Mine --  |t March Song --  |t Alston Moor --  |t Skyreholme Mill --  |t September --  |t The Plane Tree --  |t Speech --  |t Dawn ('On the cold waterfall, the flush of dawn gleams bright') --  |t Song ('Past all your knowing') --  |t March Winds --  |t The Mill --  |t Two Triolets --  |t The Last Time --  |t By the Fire --  |t The North --  |t We Sat --  |t My Lady of the Wood --  |t March --  |t Envoi ('From the red chimneys smoke climbs slow and straight') --  |t Song ('I have a little book') --  |t Arthur's Quoit, Dyffryn --  |t In the Nursery --  |t Christ in Hades --  |t Sonnet I ('There was desolate silence on the world') --  |t Sonnet II ('It matters not that we shall cease to be') --  |t Vision --  |t Stone Walls ('Where do they travel to') --  |t The Owl --  |t Farglow --  |t Inn Song --  |t The Miner's Wife --  |t In a Train --  |t Rookhope (Weardale, Summer 1922) --  |t The Cat --  |t By the Gasworks, Solihull --  |t The Robin --  |t Early Morning ('Perched on a nettled stump he stands') --  |t The Walk --  |t Elegy ('Why was it that you gave us no warning') --  |t The Old Colliery --  |t The Rookery --  |t After the Storm --  |t The Tarn --  |t Before ('I mark not without') --  |t Buzzards --  |t 'There is so much that I can share with you' --  |t After the Burial --  |t The Traction-engine --  |t J. S. Bach --  |t The Candles Gutter Low --  |t 'Though thy rafters are grown rotten' --  |t Allendale --  |t At Parting ('Under the lamp's exhausted glare') --  |t The Engine House --  |t 'Since the Autumn day' --  |t The Pumping Engine, Cashwell --  |t 'Whenever I see for the first time' --  |t The Mail-train, Crewe --  |t 'So I must go my way' --  |t He Revisits the Spot --  |t 'The dew steams off the thatches' --  |t 'Now from far eastern wolds, the bay' --  |t Nightfall ('As ghosts peer over a bedroom curtain') --  |t Skyreholme Mill ('The mill-wheel never seems to tire') --  |t Stone Walls ('One almost takes a hedge for granted') --  |t 'Like other men, when I go past' --  |t 'The crocus stars the border' --  |t Damming Stream --  |t Sunday Morning --  |t A Visit --  |t The Hidden Lane (Near Selbrigg, March 1925) --  |t April in a Town --  |t The Mill (Hempstead) --  |t Elegy ('A wagtail splutters in the stream') --  |t Job --  |t Richard Jefferies --  |t The Sawmill --  |t 'Below me Ticknall lay but in the light' --  |t 'The Road's Your Place' --  |t Landscape --  |t The Dying House --  |t Friendship --  |t The Sunken Lane --  |t Punchard --  |t To E. T. --  |t The Canal, Froghall --  |t Song ('The merriest cuckoo') --  |t Sonnet ('April is here but when will Easter come?') --  |t Memento Creatoris Tui --  |t Earth's Praises --  |t Daily Bread --  |t The Dark Fiddler --  |t Maria hat geholfen --  |t Sunshine --  |t Autumn Evening --  |t The Carter's Funeral --  |t Rain --  |t In a Country Churchyard --  |t The Gipsy Girl --  |t Frost --  |t Flowers and Stationmaster --  |t Ploughing --  |t Helen --  |t 'At last, down in the lane' --  |t Christmas Eve --  |t Trippers --  |t [actual symbol not reproducible] --  |t Progress --  |t Waste --  |t Alone --  |t Motherhood --  |t On Receiving a Christmas Card --  |t The Photograph of a Boy in Costume --  |t At the Maison Lyons --  |t An Episode --  |t Song ('The crocus stars the border') --  |t Lead's the Best --  |t Felo de se --  |t Dethroned --  |t April --  |t The Letter --  |t Chloe to Daphnis in Hyde Park --  |t Thomas Prologizes --  |t Pride ('Love's specious information') --  |t At Parting ('Though Time now tears apart') --  |t Portrait --  |t Amor Vincit Omnia --  |t Yes and No --  |t Cinders --  |t Thomas Epilogizes --  |t Humpty Dumpty --  |t Lovers' Lane --  |t Bank Holiday --  |t Last Bus, Saturday Night --  |t Song ('Relation seemed ordained for us') --  |t First Meeting --  |t Consequences --  |t In Due Season --  |t Early Morning ('Earth rolls these houses out into the sun') --  |t Tea-time in November --  |t The Happy Tree --  |t Winter Afternoon --  |t Say Yes! --  |t Ballad --  |t The Last of the Old Year --  |t Before ('Unkempt and furtive the wind crawls') --  |t Encounter --  |t After --  |t Day-dreams of a Tourist --  |t The Evolution of the Dragon --  |t Pride ('When Little Claus meets Big Claus in the road') --  |t Quique Amavit --  |t Easter Monday --  |t Narcissus --  |t Hodge Looks toward London --  |t Aware --  |t Bach and the Lady --  |t Extract --  |t 'Out of sight assuredly, not out of mind' --  |t The Megalopsych --  |t 'The sprinkler on the lawn' --  |t 'I chose this lean country' --  |t 'On the frontier at dawn getting down' --  |t 'No trenchant parting this' --  |t 'Truly our fathers had the gout' --  |t 'We, knowing the family history' --  |t 'Who stands, the crux left of the watershed' --  |t 'Suppose they met, the inevitable procedure' --  |t 'The crowing of the cock' --  |t 'Nor was that final, for about that time' --  |t 'Deemed this an outpost, I' --  |t 'Because sap fell away' --  |t 'The mind to body spoke the whole night through' --  |t 'From the very first coming down' --  |t 'The four sat on in the bare room' --  |t 'The houses rolled into the sun' --  |t 'The colonel to be shot at dawn' --  |t 'To-night when a full storm surrounds the house' --  |t 'The weeks of blizzard over' --  |t 'Light strives with darkness, right with wrong' --  |t 'Control of the Passes was, he saw, the key' --  |t 'Taller to-day, we remember similar evenings' --  |t 'The spring will come' --  |t 'The summer quickens grass' --  |t '"Grow thin by walking and go inland"' --  |t 'Some say that handsome raider still at large' --  |t 'Often the man, alone shut, shall consider' --  |t 'To throw away the key and walk away' --  |t 'The Spring unsettles sleeping partnerships' --  |t 'No, not from this life, not from this life is any' --  |g App. 1  |t 'Rotation' by 'Mystan Baudom'. 
520 |a Regardless of how poets feel about their youthful attempts at verse, their early poems not only enrich our understanding of their artistic growth, but also reveal much about the nature of literary genius. No other twentieth-century poet has left behind such a wealth of early poetry as did W.H. Auden. By bringing together for the first time all the poems written by Auden between the ages of fifteen and twenty-one (1922-1928), this book allows us a rare, detailed look at the literary personality, development, and preoccupations of a major poet. Auden's readers will be fascinated to find in these poems the earliest evidence of his interest in psychoanalysis, his conflicted attitude toward his homosexuality, his self-conscious approach to poetry, and his life-long journey toward a religious sense of the world. This collection includes over two hundred poems, most of them never published before, concluding with the contents of Auden's privately printed volume, Poems (1928). The poems are generously annotated with information on Auden's education, reading, literary concerns, and personal life. In her introduction, Katherine Bucknell traces important themes relating to the poet's entire career, and describes crucial but hitherto unknown aspects of his youth during his years at Gresham's School and at Christ Church, Oxford. Throughout this work we see in Auden an admirable instinct for experiment, a thorough testing of tradition, and a gathering mastery of technique and thematic argument 
590 |a Gotham Book Mart Collection copy has dustjacket retained 
596 |a 1 
648 7 |a 1900-1999  |2 fast 
650 0 |a English poetry  |0 http://id.loc.gov/authorities/subjects/sh85043932 
650 0 |a Young adult fiction, English  |v Bibliography  |0 http://id.loc.gov/authorities/subjects/sh94000084 
650 4 |a CHR 1994  |5 PU 
650 4 |a PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)  |5 PU 
650 7 |a American poetry  |2 fast 
655 2 |a Poetry 
655 7 |a Poetry  |2 fast  |0 http://id.worldcat.org/fast/1423828 
655 7 |a Poetry  |2 fast 
655 7 |a Poetry  |2 lcgft 
655 7 |a Poésie  |2 rvmgf 
655 7 |a poetry  |2 aat 
700 1 |a Bucknell, Katherine  |0 http://viaf.org/viaf/sourceID/LC|n89103266 
700 1 |a Bucknell, Katherine  |1 http://viaf.org/viaf/22194784 
700 1 |a Bucknell, Katherine 
700 1 0 |a Bucknell, Katherine  |1 http://viaf.org/viaf/22194784 
710 2 |a Gotham Book Mart Collection (University of Pennsylvania)  |5 PU 
710 2 |a Woodberry Poetry Room (Harvard College Library)  |t Collections,  |e repository.  |5 poe 
710 2 9 |a Harris Collection of American Poetry and Plays (Brown University)  |b Poetry, 1926-1950.  |5 RPB. 
800 1 |a Auden, W. H  |q (Wystan Hugh),  |d 1907-1973.  |t Works.  |f 1988  |0 http://viaf.org/viaf/sourceID/LC|n86725371 
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