Deleuze, cinema and national identity : narrative time in national contexts /
David Martin-Jones challenges traditional uses of Deleuze's philosophy in his examination of European art cinema. He explores how Deleuze can be used to analyze national identity across a range of different cinemas and by focusing on narrative time, he brings a Deleuzean approach to a vast rang...
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| Format: | Book |
| Language: | English |
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Edinburgh :
Edinburgh University Press,
2006
Edinburgh : c2006 Edinburgh : 2006 |
| Subjects: |
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| 100 | 1 | |a Martin-Jones, David |0 http://viaf.org/viaf/100333585 | |
| 100 | 1 | |a Martin-Jones, David |1 http://viaf.org/viaf/100333585 | |
| 100 | 1 | |a Martin-Jones, David | |
| 245 | 1 | 0 | |a Deleuze, cinema and national identity : |b narrative time in national contexts / |c David Martin-Jones |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2006 | ||
| 260 | |a Edinburgh : |b Edinburgh University Press, |c c2006 | ||
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2006 | |
| 300 | |a ix, 244 p. : |b ill. ; |c 25 cm | ||
| 300 | |a ix, 244 pages : |b illustrations ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Select filmography: p. [238]-239 | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [228]-237) and index | ||
| 504 | |a Includes bibliographical references (p. [228]-237), filmography, and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 504 | |a Includes filmography | ||
| 505 | 0 | |a Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures | |
| 505 | 0 | 0 | |t Introduction : Deleuze, film studies and national identity -- |g 1 |t History -- |g 2. |t Memory -- |g 3. |t National identity in the global city -- |g 4. |t American triumphalism and the first Gulf War -- |g 5. |t Renegotiating the national past after 9/11 -- |g 6. |t Pacific Rim -- |t Conclusion : blind chance and possible futures. |
| 505 | 0 | 0 | |t Introduction : Deleuze, film studies and national identity -- |g 1 |t History -- |g 2. |t Memory -- |g 3. |t National identity in the global city -- |g 4. |t American triumphalism and the first Gulf War -- |g 5. |t Renegotiating the national past after 9/11 -- |g 6. |t The Pacific Rim -- |t Conclusion : blind chance and possible futures. |
| 505 | 0 | 0 | |t Introduction: Deleuze, Film Studies and National Identity |g 1 -- |g Part I |t Deleuze and Narrative Time -- |g 1 |t History |g 19 -- |t Ungrounding Cinema |g 19 -- |t National Identity |g 32 -- |g 2 |t Memory |g 50 -- |t Movement and Memory/Time and Memory (Vertigo, 8 1/2) |g 51 -- |t Memory and Nation (Vertigo, 8 1/2) |g 67 -- |g Part II |t Movement-/Time-Image Films -- |g 3 |t National Identity in the Global City |g 85 -- |t Film Futures/National Futures (It's a Wonderful Life) |g 85 -- |t Sliding Doors |g 88 -- |t Run Lola Run |g 100 -- |t Global Labyrinth (You've Got Mail) |g 113 -- |t Conclusion: The Old and the New |g 115 -- |g 4 |t American Triumphalism and the First Gulf War |g 121 -- |t Triumph of the Past (Birth of a Nation) |g 121 -- |t Saving Private Ryan |g 127 -- |t 'Forget the Alamo' (Family Man, Lone Star) |g 136 -- |t Memento |g 141 -- |t Conclusion: Interminable Vengeance |g 151 -- |g 5 |t Renegotiating the National Past after 9/11 |g 156 -- |t Terminator 3 |g 157 -- |t The Butterfly Effect |g 170 -- |t Eternal Sunshine of the Spotless Mind |g 173 -- |g 6 |t The Pacific Rim |g 188 -- |t Too Many Ways to be Number One |g 188 -- |t Chaos |g 195 -- |t Peppermint Candy |g 205 -- |t Conclusion: Blind Chance and Possible Futures |g 222 |
| 520 | |a David Martin-Jones challenges traditional uses of Deleuze's philosophy in his examination of European art cinema. He explores how Deleuze can be used to analyze national identity across a range of different cinemas and by focusing on narrative time, he brings a Deleuzean approach to a vast range of nontraditional material. Martin-Jones discusses such films as Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos, and Peppermint Candy. Each film is examined in light of a major historical event -- including 9/11, German reunification, and the Asian economic crisis -- and the impact it has had on individual nations | ||
| 520 | 1 | |a "Deleuze, Cinema and National Identity challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes)."--BOOK JACKET | |
| 520 | 8 | |a This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material | |
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