The visual culture of Meiji Japan : negotiating the transition to modernity /
"This volume examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negoti...
| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
New York, NY ; London :
Routledge : imprint of the Taylor & Francis Group,
2022
New York; London : Routledge, Taylor & Francis Group, 2022 |
| Series: | Routledge research in art history
|
| Subjects: |
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| 245 | 0 | 4 | |a The visual culture of Meiji Japan : |b negotiating the transition to modernity / |c edited by Ayelet Zohar and Alison J. Miller |
| 264 | 1 | |a New York, NY ; |a London : |b Routledge : |b imprint of the Taylor & Francis Group, |c 2022 | |
| 264 | 1 | |a New York; |a London : |b Routledge, Taylor & Francis Group, |c 2022 | |
| 264 | 4 | |c ©2022 | |
| 300 | |a xv, 199 pages : |b illustrations (some color) ; |c 26 cm | ||
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| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |a Machine generated contents note: |g 1 |t Between Kanji and Hiragana: An Allegorical Reading of the Katakana (Non-) Space / |r Michio Hayashi -- |g 2. |t Meiji Calligraphy Between Eurocentric and Sinocentric Modernizations / |r Eugenia Bogdanova-Kummer -- |g 3. |t Classical Greece in Japan: Why Does It Matter? A Postcolonial Perspective / |r Michael Lucken -- |g 4. |t Medievalism, Modernity, and Militarism in Imperial Japan / |r Oleg Benesch -- |g 5. |t Dinner Table Negotiations: Tableware and the Presentation of Japan at the Enryokan / |r Mary Redfern -- |g 6. |t Imaging Industry: Woodblock Prints, Factory Women, and Sericulture in Meiji Japan / |r Alison J. Miller -- |g 7. |t Negotiating Realism: Kawabata Gyokusho's Strive for Modern Japanese Painting / |r Katharina Rode -- |g 8. |t Mural Paintings in Late Nineteenth and Early Twentieth Century Western-Style Public Buildings in Japan / |r Emiko Yamanashi -- |g 9. |t Framing Scenery: A Potential History of Landscape Photography in Colonial Hokkaido / |r Ayelet Zohar -- |g 10. |t Colors of Empire: Watercolor in Meiji Japan / |r Chinghsin Wu -- |g 11. |t Exploring Tokyo's Hidden Spaces in Nagai Kafu's Hiyorigeta (Fair-Weather Clogs, 1914), With Charles Baudelaire's Flaneur and Walter Benjamin and Asja Lacis' Porosity / |r Evelyn Schulz. |
| 505 | 2 | |a Japan as Far West : An Allegorical Reading of the Katakana Space / Michio Hayashi -- Medievalism and Militarism in Imperial Japan / Oleg Benesch -- Colors of Empire : Watercolor in Meiji Japan / Chinghsin Wu | |
| 520 | |a "This volume examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural notions were partially modified and integrated to become the artistic methods of modern Japan, based on the hybridization of major ideologies, visualities, technologies, productions, formulations, and modes of representation. The book presents case studies of creative transformation demonstrating how new concepts and methods were perceived and altered to match views and theories prevalent in Meiji Japan, and by what means different practitioners negotiated between their existing skills and the knowledge generated from incoming ideas to create innovative modes of practice and representation that reflected the specificity of modern Japanese artistic circumstances. The book will be of interest to scholars working in art history, Japanese studies, Asian studies, and Japanese history, as well as those who use approaches and methods related to globalization, cross-cultural studies, transcultural exchange, and interdisciplinary studies."-- |c Provided by publisher | ||
| 520 | |a "This volume examines the visual culture of Japan's transition to modernity, from 1868 to the first decades of the twentieth century. Through this important moment in Japanese history, contributors reflect on Japan's transcultural artistic imagination vis-a-vis the discernment, negotiation, assimilation, and assemblage of diverse aesthetic concepts and visual pursuits. The collected chapters show how new cultural notions were partially modified and integrated to become the artistic methods of modern Japan, based on the hybridization of major ideologies, visualities, technologies, productions, formulations, and modes of representation. The book presents case studies of creative transformation demonstrating how new concepts and methods were perceived and altered to match views and theories prevalent in Meiji Japan, and by what means different practitioners negotiated between their existing skills and the knowledge generated from incoming ideas to create innovative modes of practice and representation that reflected the specificity of modern Japanese artistic circumstances. The book will be of interest to scholars working in art history, Japanese studies, Asian studies, and Japanese history, as well as those who use approaches and methods related to globalization, cross-cultural studies, transcultural exchange, and interdisciplinary studies"-- |c Provided by publisher | ||
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