Vanity fair
Becky is determined to make something of herself. She accepts a job as a nanny for the children of Sir Pitt Crawley. Becky catches the eye of Crawley's son Rawdon. Becky is introduced to London's most exclusive social circle, where she becomes re-acquainted with Amelia. Becky weds Rawdon,...
Corporate Authors: | , , |
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Other Authors: | , , , , , , , , , , , , , , |
Format: | Unknown |
Language: | English French |
Published: |
Universal City, CA :
Universal,
[2005]
|
Edition: | [Widescreen ed.] |
Series: | Focus Features spotlight series
Focus Features spotlight series |
Subjects: |
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082 | 0 | 4 | |a 791.43/72 |2 22 |
130 | 0 | |a Vanity fair (Motion picture : 2004) | |
130 | 0 | |a Vanity fair (Motion picture) | |
245 | 1 | 0 | |a Vanity fair |h [videorecording] / |c Focus Features presents a Tempesta Films/Granada Film production, a Mira Nair film ; produced by Janette Day, Donna Gigliotti, Lydia Dean Pilcher ; screenplay by Matthew Faulk & Mark Skeet and Julian Fellowes ; directed by Mira Nair |
250 | |a [Widescreen ed.] | ||
260 | |a Universal City, CA : |b Universal, |c [2005] | ||
300 | |a 1 videodisc (140 min.) : |b sd., col. ; |c 4 3/4 in | ||
440 | 0 | |a Focus Features spotlight series | |
490 | 1 | |a Focus Features spotlight series | |
500 | |a Based on the novel by William Makepeace Thackeray | ||
500 | |a Originally released as a motion picture in 2004 | ||
500 | |a Special features: the women behind 'Vanity fair': the predominantly female cast and crew reveal how they portrayed women of the time in London; director's commentary: Mira Nair shares her vision and personal inspiration in discussion; deleted scenes; welcome to 'Vanity fair': a behind-the-scenes look at bringing this to the big screen | ||
500 | |a Special features: the women behind 'Vanity fair': the predominantly female cast and crew reveal how they flawlessly portrayed women of the time in London; director's commentary: Mira Nair shares her unique vision and personal inspiration in this insightful discussion; deleted scenes; welcome to 'Vanity fair': a behind-the-scenes look at bringing this timeless story to the big screen | ||
500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
508 | |a Director of photography, Declan Quinn ; editor, Allyson C. Johnson ; music, Mychael Danna ; costume designer, Beatrix Aruna Pasztor ; production designer, Maria Djurkovic | ||
508 | |a Director of photography, Declan Quinn; editor, Allyson C. Johnson; music, Mychael Danna; costume designer, Beatrix Aruna Pasztor; production designer, Maria Djurkovic | ||
511 | 1 | |a Reese Witherspoon, Eileen Atkins, Jim Broadbent, Gabriel Byrne, Romola Garai, Bob Hoskins, Rhys Ifans, Geraldine McEwan, James Purefoy, Jonathan Rhys Meyers | |
520 | |a Becky is determined to make something of herself. She accepts a job as a nanny for the children of Sir Pitt Crawley. Becky catches the eye of Crawley's son Rawdon. Becky is introduced to London's most exclusive social circle, where she becomes re-acquainted with Amelia. Becky weds Rawdon, but the social and economic stability she dreamed of begins to collapse when he begins drowning his troubles, and soon she turns to the powerful Marquess of Steyne for support. Meanwhile, Amelia's fortunes fall even harder following the death of her husband | ||
521 | 8 | |a MPAA rating: PG-13; for some sexuality/partial nudity and a brief violent image | |
538 | |a DVD, region 1, widescreen (2.35:1) presentation; Dolby Digital 5.1 surround, dual-layer, single-sided | ||
546 | |a English or dubbed French dialogue, French or Spanish subtitles; close-captioned | ||
650 | 0 | |a Feature films | |
650 | 0 | |a Films for the hearing impaired | |
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650 | 0 | |a Video recordings for the hearing impaired | |
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650 | 0 | |a Women |x Sexual behavior |v Drama | |
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651 | 7 | |a England |z London |2 fast | |
655 | 0 | |a Feature films | |
655 | 0 | |a Films for the hearing impaired | |
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700 | 1 | |a Atkins, Eileen, |d 1934- | |
700 | 1 | |a Broadbent, Jim | |
700 | 1 | |a Byrne, Gabriel, |d 1950- | |
700 | 1 | |a Danna, Mychael | |
700 | 1 | |a Day, Janette | |
700 | 1 | |a Faulk, Matthew | |
700 | 1 | |a Fellowes, Julian | |
700 | 1 | |a Garai, Romola, |d 1982- | |
700 | 1 | |a Gigliotti, Donna | |
700 | 1 | |a Nair, Mira | |
700 | 1 | |a Nair, Mira, |e film director | |
700 | 1 | |a Pilcher, Lydia Dean | |
700 | 1 | |a Quinn, Declan, |d 1957- | |
700 | 1 | |a Skeet, Mark | |
700 | 1 | |a Thackeray, William Makepeace, |d 1811-1863 |t Vanity fair | |
700 | 1 | |a Thackeray, William Makepeace, |d 1811-1863 |t Vanity fair. | |
700 | 1 | |a Witherspoon, Reese, |d 1976- | |
710 | 2 | |a Focus Features | |
710 | 2 | |a Granada Films | |
710 | 2 | |a Universal Pictures (Firm) | |
830 | 0 | |a Focus Features spotlight series | |
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