Haiku, other arts, and literary disciplines /

Haiku, other arts, and literary disciplines /

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"Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships of haiku with other arts, such as essay, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions tha...

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Bibliographic Details
Corporate Author: ProQuest ebook central
Other Authors: Hakutani, Yoshinobu, 1935- (Editor), Kiuchi, Tōru, 1953- (Editor)
Format: Book
Language:English
Published: Lanham, Maryland : Lexington Books, [2022]
Subjects:
Haiku > History and criticism
Haiku, American > History and criticism
Poetics
Poetry and the arts
Haïku > Histoire et critique
Poésie et arts
Poétique
Haiku
Haiku, American
Essay
Criticism, interpretation, etc
Critiques littéraires
Essais
Essays
Literary criticism
essays
Table of Contents:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Contents
  • List of Figures
  • List of Figures
  • Acknowledgments
  • Introduction
  • Part I: Haiku and Other Arts: Part I
  • Chapter 1: Classic Haiku and Cy Twombly's Modern Painting1
  • Notes
  • Chapter 2: Bashō and Haiga
  • Preface
  • A Brief History of Haiga
  • Bashō and Haiga
  • (a) Before the Encounter with Kyoriku
  • (b) After the Encounter with Kyoriku
  • Conclusion
  • Notes
  • Works Cited
  • Chapter 3: Buson as Haiku Poet and Painter
  • Introduction
  • The Learning Period (1754-1757) of Haiga
  • II-i.
  • II-ii.
  • II-iii
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Contents
  • List of Figures
  • List of Figures
  • Acknowledgments
  • Introduction
  • Part I: Haiku and Other Arts: Part I
  • Chapter 1: Classic Haiku and Cy Twombly's Modern Painting1
  • Notes
  • Chapter 2: Bashō and Haiga
  • Preface
  • A Brief History of Haiga
  • Bashō and Haiga
  • (a) Before the Encounter with Kyoriku
  • (b) After the Encounter with Kyoriku
  • Conclusion
  • Notes
  • Works Cited
  • Chapter 3: Buson as Haiku Poet and Painter
  • Introduction
  • The Learning Period (1754-1757) of Haiga
  • II-i.
  • II-ii.
  • II-iii
  • Chapter 13: American Haiku in the New Millennium: The First Two Decades
  • Twentieth-Century Techniques in Twenty-First-Century Haiku
  • New Approaches to Haiku
  • Conclusion
  • Works Cited
  • Chapter 14: Richard Wright's Haiku and African Culture
  • Notes
  • Works Cited
  • Chapter 15: Creating African American Haiku Form: Lenard D. Moore's Poetic Artistry 1
  • Notes
  • Works Cited
  • Chapter 16: Robert Spiess's Haiku: Translating for Better Understanding
  • Works Cited
  • Subject Index
  • Index of Haiku and Poems
  • About the Contributors
  • Chapter 7: North American Versions of Haibun and Postmodern American Culture
  • I
  • II
  • III
  • IV
  • V
  • Notes
  • Works Cited
  • Part II: Haiku and Literary Disciplines: Part II
  • Chapter 8: Bashō, Kerouac, and Confucianism
  • Notes
  • Works Cited
  • Chapter 9: Richard Wright's Haiku and Zen Buddhism
  • Note
  • Works Cited
  • Chapter 10: American Haiku and American Transcendentalism
  • 1
  • 2
  • 3
  • Works Cited
  • Chapter 11: Haiku, Ezra Pound, and Imagism
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • Notes
  • Works Cited
  • Chapter 12: Haiku and Modernism in Japan
  • Introduction
  • Chapter 7: North American Versions of Haibun and Postmodern American Culture
  • I
  • II
  • III
  • IV
  • V
  • Notes
  • Works Cited
  • Part II: Haiku and Literary Disciplines: Part II
  • Chapter 8: Bashō, Kerouac, and Confucianism
  • Notes
  • Works Cited
  • Chapter 9: Richard Wright's Haiku and Zen Buddhism
  • Note
  • Works Cited
  • Chapter 10: American Haiku and American Transcendentalism
  • 1
  • 2
  • 3
  • Works Cited
  • Chapter 11: Haiku, Ezra Pound, and Imagism
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • Notes
  • Works Cited
  • Chapter 12: Haiku and Modernism in Japan
  • Introduction
  • The Growth Period (1758-1769) of Haiga
  • III-i.
  • III-ii.
  • The Accomplished Period (1770-1777) of Haiga
  • IV-i.
  • IV-ii.
  • IV-iii.
  • IV-iv.
  • IV-v.
  • The Maturity Period (1778-1783) of Haiga
  • V-i.
  • V-ii.
  • V-iii.
  • V-iv.
  • V-v.
  • Conclusion
  • Notes
  • Works Cited
  • Chapter 4: Jack Kerouac's Haiku and the Beat Generation
  • Notes
  • Works Cited
  • Chapter 5: Sonia Sanchez's Morning Haiku and Blues Music
  • Notes
  • Works Cited
  • Chapter 6: James Emanuel's Haiku and Jazz
  • 1
  • 2
  • 3
  • 4
  • Notes
  • Works Cited
  • [Modernism in Haiku]
  • [The Eve of Haiku Modernism: Haiku Reformation]
  • Shin-Keiko Haiku (New Trend Haiku) Movement: 1900s
  • [Shin-Keiko Haiku]
  • Jiyuritsu Haiku (Free-Rhythm Haiku): 1910s
  • [Beginning of Jiyuritsu Haiku]
  • [Two Poets of Jiyuritsu Haiku]
  • Shinko Haiku (Newly Rising Haiku) Movement: 1930s-1945
  • [Haiku Modernism]
  • [Poets of Shinko Haiku (the Newly Rising Haiku)]
  • [The End of Shinko Haiku (Newly Rising Haiku)]
  • The Avant-garde Haiku Movement: 1950s-1970s
  • [Aftereffect of Haiku Modernism-Postwar Circumstances]
  • [Innovative Two Schools]
  • Notes
  • Works Cited

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