The films of Carlos Saura : the practice of seeing /

Throughout this book, D'Lugo argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and th...

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Bibliographic Details
Main Authors: D'Lugo, Marvin, D'Lugo, Marvin, 1943-
Corporate Author: Gotham Book Mart Collection (University of Pennsylvania)
Format: Book
Language:English
Published: Princeton, N.J. : Princeton University Press, 1991
Princeton, N.J. : [1991], ©1991
Princeton, N.J. : c1991
Princeton, N.J. : c1991
Princeton, N.J. : [1991]
Subjects:
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100 1 |a D'Lugo, Marvin,  |d 1943- 
245 1 4 |a The films of Carlos Saura :  |b the practice of seeing /  |c Marvin D'Lugo 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c 1991 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c [1991], ©1991 
260 |a Princeton, N.J. :  |b Princeton University Press,  |c c1991 
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264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c [1991] 
264 4 |c ©1991 
300 |a xii, 251 p. :  |b ill. ;  |c 24 cm 
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500 |a Includes index 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 241-247) and index 
504 |a Includes bibliographical references (p. [241]-247) and index 
504 |a Includes bibliographical references (p. [243]-247) and index 
504 |a Includes bibliographical references (pages [241]-247) and index 
504 |a Includes bibliographical references and index 
504 |a Includes bibliographical references 
505 0 |a The practice of seeing -- The burden of Spanishness -- Spectators -- A new Spain for old Spaniards -- Victims -- Distanced observers -- Generations -- Performers -- Looking back 
520 |a Throughout this book, D'Lugo argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society 
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