Women in Weimar fashion : discourses and displays in German culture, 1918-1933 /
In the Weimar Republic, fashion was not only manipulated by the various mass media-film, magazines, advertising, photography, and popular literature-but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum...
| Main Author: | |
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| Corporate Author: | |
| Format: | Book |
| Language: | English |
| Published: |
Rochester, N.Y. :
Camden House,
2008
Rochester, N.Y. : 2008 |
| Series: | Screen cultures
Screen cultures |
| Subjects: |
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| 245 | 1 | 0 | |a Women in Weimar fashion : |b discourses and displays in German culture, 1918-1933 / |c Mila Ganeva |
| 260 | |a Rochester, N.Y. : |b Camden House, |c 2008 | ||
| 264 | 1 | |a Rochester, N.Y. : |b Camden House, |c 2008 | |
| 300 | |a xi, 240 p. : |b ill. ; |c 24 cm | ||
| 300 | |a xi, 240 pages : |b illustrations ; |c 24 cm | ||
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| 440 | 0 | |a Screen cultures | |
| 490 | 1 | |a Screen cultures | |
| 490 | 1 | |a Screen cultures: German film and the visual | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [205]-226) and index | ||
| 504 | |a Includes bibliographical references (pages [205]-226) and index | ||
| 505 | 0 | |a Introduction : on fashion, women, and modernity -- The fashion journalist : flâneur or new woman? -- Fashion journalism at Ullstein House -- In the waiting room of literature : Hellen Grund and the practice of fashion and travel writing -- Weimar film as fashion show -- The mannequins -- Fashion and fiction : women's modernity in Irmgard Keun's novel Gilgi | |
| 505 | 0 | |a Introduction : on fashion, women, and modernity -- The fashion journalist : flâneur or new woman? -- Fashion journalism at Ullstein House -- In the waiting room of literature : Hellen Grund and the practice of fashion and travel writing -- Weimar film as fashion show -- The mannequins -- Fashion and fiction : women's modernity in Irmgard Keun's novel Gilgi | |
| 505 | 0 | 0 | |g Introduction |t On Fashion, Women, and Modernity -- |t Discourses on Fashion -- |g 1. |t The Fashion Journalist: Flaneur or New Woman? -- |g 2. |t Fashion Journalism at Ullstein House -- |g 3. |t In the Waiting Room of Literature: Helen Grund and the Practice of Fashion and Travel Writing -- |t Displays of Fashion -- |g 4. |t Weimar Film as Fashion Show -- |g 5. |t The Mannequins -- |g 6. |t Fashion and Fiction: Women's Modernity in Irmgard Keun's Novel Gilgi -- |g App. I. |t Biographical Information on Fashion Journalists and Fashion Illustrators -- |g App. II. |t A List of German Feature Films about Fashion from the 1910s, 1920s, and 1930s. |
| 505 | 0 | 0 | |t Introduction : on fashion, women, and modernity -- |g The |t fashion journalist : flâneur or new woman? -- |t Fashion journalism at Ullstein House -- |t In the waiting room of literature : Hellen Grund and the practice of fashion and travel writing -- |t Weimar film as fashion show -- |g The |t mannequins -- |t Fashion and fiction : women's modernity in Irmgard Keun's novel Gilgi |
| 520 | |a In the Weimar Republic, fashion was not only manipulated by the various mass media-film, magazines, advertising, photography, and popular literature-but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others, engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity | ||
| 520 | 1 | |a "In the Weimar Republic, fashion was not only manipulated by the various mass media - film, magazines, advertising, photography, and popular literature - but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun,. Vicki Baum, Elsa Maria Bug, and numerous others, engaged in a challenging, self-reflective commentary on current styles." "This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Flaneur, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity."--BOOK JACKET | |
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