Modern poetry after modernism /

Modern poetry after modernism /

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In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective

Bibliographic Details
Main Author: Longenbach, James
Corporate Author: Gotham Book Mart Collection (University of Pennsylvania)
Format: Book
Language:English
Published: New York : Oxford University Press, 1997
New York : 1997
Subjects:
1900 - 1999
1900-1999
20th century
American poetry > 20th century > History and criticism > Theory, etc
Postmodernism (Literature) > United States
CHR 1997
PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)
American poetry
Postmodernism (Literature)
United States
Criticism, interpretation, etc
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245 1 0 |a Modern poetry after modernism /  |c James Longenbach 
260 |a New York :  |b Oxford University Press,  |c 1997 
263 |a 9709 
264 1 |a New York :  |b Oxford University Press,  |c 1997 
300 |a ix, 209 p. :  |c 24 cm 
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504 |a Includes bibliographical references (p. 177-195) and index 
504 |a Includes bibliographical references (pages 177-195) and index 
504 |a Includes bibliographical references and index 
505 0 |a What was postmodern poetry? -- Elizabeth Bishop's bramble bushes -- Elizabeth Bishop's social conscience -- Randall Jarrell's semifeminine mind -- Richard Wilbur's small world -- John Ashbery's individual talent -- Amy Clampitt's United States -- Richard Howard's modern world -- Robert Pinsky's social nature -- Jorie Graham's big hunger 
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520 |a In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective 
520 |a In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them 
520 |a In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of postmodern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets--John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur--Longenbach reveals that American poets since mid- century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time-- without asking us to choose between them 
520 1 |a "In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of post-modern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them."--BOOK JACKET 
520 8 |a In the process, Longenbach allows readers to experience the wide variety of poetries written in our time - without asking us to choose between them 
520 8 |a Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see 
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