Ephemeral Spectacles, Exhibition Spaces and Museums : 1750-1918
This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume de...
Corporate Authors: | , |
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Other Authors: | , , , , , , , , , , , |
Format: | Book |
Language: | English |
Published: |
Amsterdam :
Amsterdam University Press,
2021
Amsterdam : [2021] Amsterdam : 2021 Amsterdam : [2021] |
Series: | Spatial Imageries in Historical Perspective Ser
Spatial Imageries in Historical Perspective Ser Spatial imageries in historical perspective |
Subjects: |
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245 | 0 | 0 | |a Ephemeral Spectacles, Exhibition Spaces and Museums : |b 1750-1918 |
260 | |a Amsterdam : |b Amsterdam University Press, |c 2021 | ||
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2021 | |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
264 | 4 | |c 2021 | |
264 | 4 | |c ©2021 | |
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490 | 0 | |a Spatial Imageries in Historical Perspective ; |v 2 | |
490 | 0 | |a Spatial imageries in historical perspective | |
490 | 1 | |a Spatial Imageries in Historical Perspective Ser | |
490 | 1 | |a Spatial Imageries in Historical Perspective | |
500 | |a Description based upon print version of record | ||
500 | |a Title from publisher's bibliographic system (viewed on 11 Jun 2021) | ||
505 | 0 | |a Cover -- Table of Contents -- Introduction: Staging the Temporary: The Fragile Character of Space -- Camilla Murgia -- I: The Department Store -- 1. "One Need Be Neither a Shopper Nor a Purchaser to Enjoy:" Ephemeral Exhibitions at Tiffany & Co., 1870-1905 -- Amy McHugh and Cristina Vignone -- 2. Enclosed Exhibitions: Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames -- Kathryn A. Haklin -- II: Spectacles -- 3. Jardins-Spectacles: Spaces and Traces of Embodiment -- Susan Taylor-Leduc | |
505 | 0 | 0 | |a Frontmatter -- Table of Contents -- Introduction: Staging the Temporary: The Fragile Character of Space -- I The Department Store -- 1. "One Need Be Neither a Shopper Nor a Purchaser to Enjoy:" Ephemeral Exhibitions at Tiffany & Co., 1870-1905 -- 2. Enclosed Exhibitions : Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames -- II Spectacles -- 3. Jardins-Spectacles: Spaces and Traces of Embodiment -- 4. Parading the Temporary: Cosmoramas, Panoramas , and Spectacles in Early Nineteenth-Century Paris -- 5. Portable Museums: Imaging and Staging the "Northern Gothic Art Tour" - Ephemera and Alterity -- III At the Intersection of Literature and the Built Environment -- 6. The Elusiveness of History and the Ephemerality of Display in Nineteenth- Century France and Belgium: At the Intersection of the Built Environment and the Spatial Image in Literature -- 7. The "Phantasmatic" Chinatown in Helen Hunt Jackson's "The Chinese Empire" and Mark Twain's Roughing It -- IV The Museum and Alternative Exhibition Spaces -- 8. "Show Meets Science:" How Hagenbeck's "Human Zoos" Inspired Ethnographic Science and Its Museum Presentation -- 9. The Last Wunderkammer : Curiosities in Private Collections between the Nineteenth and Twentieth Centuries -- 10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I -- Index |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Introduction: Staging the Temporary: The Fragile Character of Space -- |t I The Department Store -- |t 1. "One Need Be Neither a Shopper Nor a Purchaser to Enjoy:" Ephemeral Exhibitions at Tiffany & Co., 1870-1905 -- |t 2. Enclosed Exhibitions : Claustrophobia, Balloons, and the Department Store in Zola's Au Bonheur des Dames -- |t II Spectacles -- |t 3. Jardins-Spectacles: Spaces and Traces of Embodiment -- |t 4. Parading the Temporary: Cosmoramas, Panoramas , and Spectacles in Early Nineteenth-Century Paris -- |t 5. Portable Museums: Imaging and Staging the "Northern Gothic Art Tour" - Ephemera and Alterity -- |t III At the Intersection of Literature and the Built Environment -- |t 6. The Elusiveness of History and the Ephemerality of Display in Nineteenth- Century France and Belgium: At the Intersection of the Built Environment and the Spatial Image in Literature -- |t 7. The "Phantasmatic" Chinatown in Helen Hunt Jackson's "The Chinese Empire" and Mark Twain's Roughing It -- |t IV The Museum and Alternative Exhibition Spaces -- |t 8. "Show Meets Science:" How Hagenbeck's "Human Zoos" Inspired Ethnographic Science and Its Museum Presentation -- |t 9. The Last Wunderkammer : Curiosities in Private Collections between the Nineteenth and Twentieth Centuries -- |t 10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I -- |t Index |
505 | 8 | |a 4. Parading the Temporary: Cosmoramas, Panoramas, and Spectacles in Early Nineteenth-Century Paris -- Camilla Murgia -- 5. Portable Museums: Imaging and Staging the "Northern Gothic Art Tour" -- Ephemera and Alterity -- Juliet Simpson -- III: At the Intersection of Literature and the Built Environment -- 6. The Elusiveness of History and the Ephemerality of Display in Nineteenth-Century France and Belgium: At the Intersection of the Built Environment and the Spatial Image in Literature -- Dominique Bauer | |
505 | 8 | |a 7. The "Phantasmatic" Chinatown in Helen Hunt Jackson's "The Chinese Empire" and Mark Twain's Roughing It -- Li-hsin Hsu -- IV: The Museum and Alternative Exhibition Spaces -- 8. "Show Meets Science:" How Hagenbeck's "Human Zoos" Inspired Ethnographic Science and Its Museum Presentation -- Stefanie Jovanovic-Kruspel -- 9. The Last Wunderkammer: Curiosities in Private Collections between the Nineteenth and Twentieth Centuries -- Emanuele Pellegrini -- 10. The Impact of Alternative Exhibition Spaces on European Modern Art before World War I -- Nirmalie Alexandra Mulloli -- Index | |
506 | |a Access restricted by licensing agreement | ||
506 | |a Cambridge Multi-User |f CUPEA | ||
506 | |a Restricted for use by site license. | ||
520 | |a This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the herbarium, the peep show, the spectacle garden, cosmoramas and panoramas, the dépôt/temporary museum, and the alternative exhibition space | ||
520 | |a This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the herbarium, the peep show, the spectacle garden, cosmoramas and panoramas, the dépôt/temporary museum, and the alternative exhibition space | ||
520 | |a This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space | ||
533 | |a Electronic reproduction |b Cambridge |n Available via World Wide Web | ||
538 | |a Mode of access: Internet via World Wide Web | ||
546 | |a In English | ||
588 | |a Description based on print version record | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
590 | |a Access is available to the Yale community | ||
596 | |a 22 | ||
650 | 0 | |a Ephemeral art |x Exhibitions |0 https://id.loc.gov/authorities/subjects/sh2003003655 |x History |0 https://id.loc.gov/authorities/subjects/sh99005024 | |
650 | 0 | |a Ephemeral art |x Exhibitions |x History | |
650 | 0 | |a Museum exhibits | |
650 | 0 | |a Museums | |
650 | 4 | |a Art and Material Culture | |
650 | 4 | |a Cultural Studies | |
650 | 4 | |a History, Art History, and Archaeology | |
650 | 4 | |a Modern History | |
650 | 7 | |a ART / History / Romanticism |2 bisacsh | |
653 | |a ephemeral exhibition spaces, microcosm, spectacle, wunderkammer, herbarium, peep show | ||
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655 | 4 | |a Electronic books | |
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655 | 7 | |a History |2 fast | |
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700 | 1 | |a Bauer, Dominique |= ^A3511240 | |
700 | 1 | |a Bauer, Dominique | |
700 | 1 | |a Bauer, Dominique, |e editor |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Bauer, Dominique, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Bauer, Dominique, |e editor | |
700 | 1 | |a Haklin, Kathryn A., |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Hsu, Li-Hsin, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Jovanović-Kruspel, Stefanie, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a McHugh, Amy, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Mulloli, Nirmalie Alexandra, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Murgia, Camilla, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Murgia, Camilla, |e editor |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Murgia, Camilla, |d 1977- |1 http://viaf.org/viaf/103531629 | |
700 | 1 | |a Murgia, Camilla, |d 1977- |= ^A3948610 | |
700 | 1 | |a Murgia, Camilla, |d 1977- |e editor | |
700 | 1 | |a Murgia, Camilla, |d 1977- | |
700 | 1 | |a Murgia, Camilla, |e editor | |
700 | 1 | |a Pellegrini, Emanuele, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Simpson, Juliet, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Taylor-Leduc, Susan, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Vignone, Cristina, |e contributor |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
710 | 2 | |a Cambridge University Press |= ^A41007 | |
710 | 2 | |a Cambridge University Press | |
710 | 2 | |a De Gruyter | |
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776 | 0 | 8 | |i Print version: |a Bauer, Dominique |t Ephemeral Spectacles, Exhibition Spaces and Museums |d Amsterdam : Amsterdam University Press, c2021 |
776 | 0 | 8 | |i Print version: |a Bauer, Dominique |t Ephemeral Spectacles, Exhibition Spaces and Museums |d Amsterdam : Amsterdam University Press,c2021 |
776 | 0 | 8 | |i Print version: |t Ephemeral spectacles, exhibition spaces and museums : 1750-1918 |d Amsterdam : Amsterdam University Press, 2021 |h 302 pages |k Spatial imageries in historical perspective. |z 9789463720908 |
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