Josef Albers : no tricks, no twinkling of the eyes /

Josef Albers : no tricks, no twinkling of the eyes /

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Josef Albers: no tricks, no twinkling of the eyes' presents a reading of Albers' practice through the lens of contemporary artists, writers and art historians, who negotiate the relevance of both his educational and artistic legacy today. Selections of Albers' own writing are disperse...

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Bibliographic Details
Main Author: Albers, Josef (http://id.loc.gov/vocabulary/relators/art)
Corporate Author: Henie-Onstad kunstsenter (http://id.loc.gov/vocabulary/relators/his)
Other Authors: Hansen, Tone (Editor, http://id.loc.gov/vocabulary/relators/edt), Hoegsberg, Milena (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Köln : Oslo : Buchhandlung Walther König ; Henie Onstad Kunstsenter, [2014]
Köln : Oslo : Buchhandlung Walther König ; Henie Onstad Kunstsenter, [2014]
Subjects:
Albers, Josef > Exhibitions
Albers, Josef > Criticism and interpretation > Exhibitions
Criticism, interpretation, etc
Exhibition catalogs
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100 1 |a Albers, Josef  |e artist  |0 http://viaf.org/viaf/12347231 
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245 1 0 |a Josef Albers :  |b no tricks, no twinkling of the eyes /  |c edited by Tone Hansen and Milena Hoegsberg 
246 3 |a No tricks, no twinkling of the eyes 
264 1 |a Köln :  |b Buchhandlung Walther König ;  |a Oslo :  |b Henie Onstad Kunstsenter,  |c [2014] 
264 1 |a Köln :  |b Buchhandlung Walther König ;  |a Oslo :  |b Henie Onstad Kunstsenter,  |c [2014] 
264 4 |c ©2014 
300 |a 195 pages :  |b illustrations (chiefly color) ;  |c 27 cm 
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500 |a On the occasion of the exhibition "Josef Albers: Minimal Means, Maximum Effect", held at Henie Onstad Kunstsenter, Oslo, September 18 - December 14, 2014 
504 |a Includes bibliographical references 
505 0 0 |t Minimal means, maximum effect /  |r Nicholas Fox Weber --  |t On Josef Albers' painting materials and techniques /  |r Jeannette Redensek --  |t Preparing for painting to happen : the space between recto and verso in Josef Albers' Homage to the square /  |r Dag Erik Elgin --  |t Jailbreaking geometric abstraction /  |r Eva Díaz --  |t Color is not an object /  |r Corin Hewitt --  |t On my Homage to the square ; On my painting ; Color ; Present and/or past /  |r Josef Albers --  |t Dear Josef /  |r Doug Ashford --  |t Josef Albers : a biography 1888-1976 /  |r María Toledo --  |t Asterism /  |r Andrea Geyer 
505 0 0 |t Minimal means, maximum effect /  |r Nicholas Fox Weber --  |t On Josef Albers' painting materials and techniques /  |r Jeannette Redensek --  |t Preparing for painting to happen : the space between recto and verso in Josef Albers' Homage to the square /  |r Dag Erik Elgin --  |t Jailbreaking geometric abstraction /  |r Eva Díaz --  |t Color is not an object /  |r Corin Hewitt --  |t On my Homage to the square ; On my painting ; Color ; Present and/or past /  |r Josef Albers --  |t Dear Josef /  |r Doug Ashford --  |t Josef Albers : a biography 1888-1976 /  |r María Toledo --  |t Asterism /  |r Andrea Geyer 
520 8 |a Josef Albers: no tricks, no twinkling of the eyes' presents a reading of Albers' practice through the lens of contemporary artists, writers and art historians, who negotiate the relevance of both his educational and artistic legacy today. Selections of Albers' own writing are dispersed throughout the book, offering a rich glance into his dedication to pedagogy and art, and the pioneering ideas that still resonate with contemporary art practitioners. Richly illustrated, the publication spans Albers' production over sixty years and highlight the dexterity of Albers' practice and not least his commitment to creating complex perceptual and spatial experiences through deceivingly simple compositions of colors and lines. The design of the book by Jeanne Betak has been conceived with great consideration to both the material and visual flow, following Albers' own love of materiality and typography 
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600 1 0 |a Albers, Josef  |v Exhibitions 
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