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|a 10.4324/9781003357797
|2 doi
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|a 9781003357797
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|a Perspectives on contemporary music theory :
|b essays in honor of Kevin Korsyn /
|c edited by Bryan Parkhurst and Jeffrey Swinkin
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|a [1.]
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|a 2307
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|a Abingdon, Oxon ;
|a New York :
|b Routledge,
|c [2024]
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Routledge research in music
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|a Includes bibliographical references and index
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|a Introduction / Bryan Parkhurst and Jeffrey Swinkin -- An Interview with Kevin Korsyn -- I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS. Extraordinary Measuresv: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' / Harald Krebs ; Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) / René Rusch ; The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions / Jeffrey Swinkin and Hayley Grigg -- II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS. Take It Away : How Shortened and Missing Sections Energize Rondo Forms / Alan Gosman ; Beyond Constraints : Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier / Eric Wen -- III. MUSIC AND INTERDISCIPLINARITY. Chopin's Preludes, Creatures of Prometheus, and the Posthuman / Michael Klein ; Walter Riezler on the Unity of the Arts : Unsiloing Art and Music in the Weimar Era / Elizabeth Sears ; Completing the Triad : Schenker and Kantian Practical Philosophy / Bryan Parkhurst ; Leni Riefenstahl's 'Ballet' Olympia / Patricia Hall
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|a "Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and uncompromising caliber of his published work, and also of his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory"--
|c Provided by publisher
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|a Bryan Parkhurst is Associate Professor of Music Theory and Philosophy at Oberlin College and Conservatory, U.S.A. Jeffrey Swinkin is Associate Professor of Music (Theory) at The University of Oklahoma, U.S.A
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|a Description based on print version record and CIP data provided by publisher; resource not viewed
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| 650 |
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|a Music theory
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| 650 |
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|a Musical analysis
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| 700 |
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|a Korsyn, Kevin Ernest,
|e honoree
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| 700 |
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|a Parkhurst, Bryan,
|e editor
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| 700 |
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|a Swinkin, Jeffrey,
|e editor
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|i Print version:
|t Perspectives on contemporary music theory
|b [1.]
|d Abingdon, Oxon ; New York : Routledge, [2024]
|z 9781032413723
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