The philosophy of TV noir /
The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new f...
| Other Authors: | , , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lexington, Ky. :
University Press of Kentucky,
©2008
Lexington, Kentucky : The University Press of Kentucky, 2008 Lexington, Ky. : c2008 |
| Series: | The philosophy of popular culture
Philosophy of popular culture |
| Subjects: |
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| 245 | 0 | 4 | |a The philosophy of TV noir / |c edited by Steven M. Sanders and Aeon J. Skoble |
| 260 | |a Lexington, Ky. : |b University Press of Kentucky, |c ©2008 | ||
| 264 | 1 | |a Lexington, Kentucky : |b The University Press of Kentucky, |c 2008 | |
| 264 | 1 | |a Lexington, Ky. : |b University Press of Kentucky, |c c2008 | |
| 264 | 4 | |c ©2008 | |
| 300 | |a 1 online resource (284 pages) | ||
| 300 | |a 1 online resource (viii, 272 p.) | ||
| 300 | |a 1 online resource (viii, 272 pages) | ||
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| 440 | 4 | |a The philosophy of popular culture | |
| 490 | 1 | |a Philosophy of Popular Culture | |
| 490 | 1 | |a The philosophy of popular culture | |
| 500 | |a Description based on print version record | ||
| 500 | |a Includes index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt | |
| 505 | 0 | |a An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 506 | |a Access restricted by licensing agreement | ||
| 506 | |a License restrictions may limit access | ||
| 520 | |a The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, inc | ||
| 533 | |a Electronic reproduction |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 533 | |a Electronic reproduction |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a English | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | |a Description based on print version record | ||
| 588 | 0 | |a Print version record | |
| 590 | |a Access is available to the Yale community | ||
| 596 | |a 22 | ||
| 650 | 0 | |a Detective and mystery television programs |z United States |x History and criticism | |
| 650 | 0 | |a Fantasy television programs |z United States |x History and criticism | |
| 650 | 0 | |a Film noir |z United States |x History and criticism | |
| 650 | 7 | |a Detective and mystery television programs |2 fast | |
| 650 | 7 | |a Fantasy television programs |2 fast | |
| 650 | 7 | |a Fernsehen |x Kriminalfilm |y Geschichte 20. Jh |2 idsbb | |
| 650 | 7 | |a Fernsehprogramm |2 idszbz | |
| 650 | 7 | |a Fernsehsendung |2 gnd | |
| 650 | 7 | |a Fernsehserie |2 idszbz | |
| 650 | 7 | |a Film noir |2 fast | |
| 650 | 7 | |a Kriminalfilm |2 gnd | |
| 650 | 7 | |a Kriminalfilm |2 idszbz | |
| 650 | 7 | |a Kriminalfilm |x Fernsehen |y Geschichte 20. Jh |2 idsbb | |
| 650 | 7 | |a PERFORMING ARTS |x Television |x Reference |2 bisacsh | |
| 650 | 7 | |a Polizeifilm |2 idszbz | |
| 650 | 7 | |a Schwarzer Film |2 idszbz | |
| 651 | 7 | |a USA |2 idszbz | |
| 651 | 7 | |a USA |2 swd | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 0 | |a Electronic books | |
| 655 | 4 | |a Electronic books | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast |? UNAUTHORIZED | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast | |
| 700 | 1 | |a Abrams, Jerold J., |e contributor | |
| 700 | 1 | |a Sanders, Steven, |d 1945- |e editor | |
| 700 | 1 | |a Sanders, Steven, |d 1945- | |
| 700 | 1 | |a Skoble, Aeon J | |
| 700 | 1 | |a Skoble, Aeon J., |e editor | |
| 776 | 0 | 8 | |i Print version: |t Philosophy of TV noir |d Lexington, Kentucky : The University Press of Kentucky, c2008 |h viii, 272 pages |k Philosophy of popular culture. |z 9780813124490 |w 2007029906 |
| 776 | 0 | 8 | |i Print version: |t Philosophy of TV noir |d Lexington, Ky. : University Press of Kentucky, ©2008 |z 9780813124490 |z 0813124492 |w (DLC) 2007029906 |w (OCoLC)154692324 |
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