The song of the hawk : the life and recordings of Coleman Hawkins /

"Hawkins, the most imitated and influential saxophonist in jazz up to Charlie Parker#x19;s modern revolution, stood virtually alone among jazz musicians who came to prominence in the 1920s and successfully made the transition to modern jazz 25 years later. He also set a standard of dignity for...

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Bibliographic Details
Main Authors: Chilton, John, 1932-, Chilton, John, 1932-2016
Format: Book
Language:English
Published: Ann Arbor : University of Michigan Press, [1990], ©1990
Ann Arbor : c1990
Ann Arbor : ©1990
Ann Arbor : c1990
Series:Michigan American music series
Michigan American music series
Subjects:
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100 1 |a Chilton, John,  |d 1932-  |1 http://viaf.org/viaf/113586050 
100 1 |a Chilton, John,  |d 1932- 
100 1 |a Chilton, John,  |d 1932-2016 
245 1 4 |a The song of the hawk :  |b the life and recordings of Coleman Hawkins /  |c John Chilton 
260 |a Ann Arbor :  |b University of Michigan Press,  |c [1990], ©1990 
260 |a Ann Arbor :  |b University of Michigan Press,  |c c1990 
260 |a Ann Arbor :  |b University of Michigan Press,  |c ©1990 
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300 |a viii, 429 p. :  |b ill. ;  |c 24 cm 
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300 |a viii, 429 pages, 16 unnumbered pages of plates :  |b portraits ;  |c 24 cm 
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500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 409-413) and index 
504 |a Includes bibliographical references (p. [390]-413) and index 
504 |a Includes bibliographical references (p. [409]-413) and index 
504 |a Includes bibliographical references (p. [409]-429) and index 
504 |a Includes bibliographical references and index 
505 0 |a Missouri breaks -- The young star in New York -- Armstrong's influence -- Fast cars and silk suits -- The emergence of swing -- The first rival -- British adulation -- Dutch treats -- Family tragedy -- Home again -- Body and soul -- The rise and fall of a big band -- Chicago siesta -- A deluge of discs -- Bean and bop -- Jazz at the Philharmonic -- Return to Paris -- A dynamic partner -- Renaissance -- Festivals galore -- New era for big-toned tenors -- A jazz doyen -- Global gigs -- Penthouse patriarch -- A finale of despair 
520 |a "Hawkins, the most imitated and influential saxophonist in jazz up to Charlie Parker#x19;s modern revolution, stood virtually alone among jazz musicians who came to prominence in the 1920s and successfully made the transition to modern jazz 25 years later. He also set a standard of dignity for black musicians that was rarely equalled." #x14;Choice, July 1991 
590 |a Music Library copy: Gift of Jerome A. Chazen 
590 |a University of Chicago Library's copy 2 is cloth and has original dust jacket 
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