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|a Exhibition (M.I.T. Press)
|1 http://viaf.org/viaf/936159474208827661826
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|a Exhibition (M.I.T. Press)
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|a Exhibition /
|c edited by Lucy Steeds
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|a London :
|b Whitechapel Gallery ;
|a Cambridge, Massachusetts :
|b The MIT Press,
|c 2014
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|c ©2014
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|a unmediated
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|a Documents of contemporary art
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|a Includes bibliographical references (page 228-230) and index
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|a Includes bibliographical references (pages 228-230) and index
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|a Includes bibliographical references and index
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|a Defining 'Exhibition'. The work of art in the age of its technological reproducibility, 1935-36 / Walter Benjamin -- The exhibition and the display, 2009 / Martin Beck -- Experimental workshop and the deterritorialization of art, 1991 / Katsuhiro Yamaguchi -- Anonymous untitled proposal, 1966 / OHO (Marko Pogacnik) -- On exhibitions and the world at large: in conversation with Charles Harrison, 1969 / Seth Siegelaub -- The London experience: Underground, 1970 / Hélio Oiticica -- Exhibiting exhibitions, 1972/92 / Daniel Buren -- 'Inside the white cube' - In more senses than one, 2008 / Patricia Falguières -- Prominence given, authority taken: In conversation with Douglas Crimp, 2000 / Louise Lawler -- In conversation with Daniel Birnbaum, 2007 / Philippe Parreno -- Vice-versa, 1992 / Stuart Morgan -- 'Services': A working-group exhibition (1994), 1996 / Andrea Fraser -- If white is just a colour, the gallery is just a sight?, 2002 / Marion von Osten -- Response to the next Documenta should be curated by an artist, 2004 / AA Bronson -- 'With our faces to the rising sun': A dialogue, 2006 / Thelma Gordon and Glenn Ligon -- Art and the foreigner's gaze: A report on contemporary African art, 2008 / Chika Okeke-Augulu -- Exhibition as school in a divided city, 2006 / Anton Vidokle-- On curatorial responsibility, 2010 / Raqs Media Collective -- Who cares a lot?, Ruangrupa as curatorship, 2012 / David Teh --
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|a Defining 'Exhibition'. The work of art in the age of its technological reproducibility, 1935-36 / Walter Benjamin -- The exhibition and the display, 2009 / Martin Beck -- Experimental workshop and the deterritorialization of art, 1991 / Katsuhiro Yamaguchi -- Anonymous untitled proposal, 1966 / OHO (Marko Pogacnik) -- On exhibitions and the world at large: in conversation with Charles Harrison, 1969 / Seth Siegelaub -- The London experience: Underground, 1970 / Hélio Oiticica -- Exhibiting exhibitions, 1972/92 / Daniel Buren -- 'Inside the white cube' -- In more senses than one, 2008 / Patricia Falguières -- Prominence given, authority taken: In conversation with Douglas Crimp, 2000 / Louise Lawler -- In conversation with Daniel Birnbaum, 2007 / Philippe Parreno -- Vice-versa, 1992 / Stuart Morgan -- 'Services': A working-group exhibition (1994), 1996 / Andrea Fraser -- If white is just a colour, the gallery is just a sight?, 2002 / Marion von Osten -- Response to the next Documenta should be curated by an artist, 2004 / AA Bronson -- 'With our faces to the rising sun': A dialogue, 2006 / Thelma Gordon and Glenn Ligon -- Art and the foreigner's gaze: A report on contemporary African art, 2008 / Chika Okeke-Augulu -- Exhibition as school in a divided city, 2006 / Anton Vidokle -- On curatorial responsibility, 2010 / Raqs Media Collective -- Who cares a lot?, Ruangrupa as curatorship, 2012 / David Teh --
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|a Exhibition histories. When exhibitions become form: A brief history of the artist as curator, 2012 / Elena Filipovic -- Designed aesthetic: Exhibition design and the Independent Group, 1987 / Judith Barry -- 'The air-conditioning show' conference, 2008 / Art & language -- Temporary artistic communities: In conversation with Francesco Manacorda, 2008 / Piero Gilardi -- Notes from the underground, 1993 / Peter Wollen -- On the context of Womanhouse (1972), 1980 / Moira Roth -- On dialogic exhibition-making: In conversation with Natasha Ginwala, 2010 / Geeta Kapur -- The decade BC (Before Chernenko) in contemporary Russian art, 1985 / Margarita Tupitsyn -- Objects of performance: A story from Senegal, 1995 / El Hadji Sy -- The curatorial turn in Southeast Asia and the afterlife of the modern, 2008 / Patrick D. Flores -- How do we know what Latin
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|a In the Exhibition moment.The world as labyrinth, 1960 / Situationist International -- Report on 'A demonstration for capitalist realism', 1963 / Konrad Lueg and Gerhard Richter -- Anti-civilization exhibition, 1965 / Matzuzawa Yutaka -- A model for a qualitative society, 1968 / Working Group for 'The Model' (Palle Nielsen) -- Maintenance art manifesto: Proposal for an exhibition 'CARE', 1969 / Mierle Laderman Ukeles -- Untitled statement in response to Documenta 5, 1972 / Carl Andre, Hans Haacke, Donald Judd, Sol LeWitt, et. al. -- 'c. 7,500': An exhibition, 1973 / Lucy R. Lippard -- Stars art exhibition, 1979 / Huang Rui -- Magicians of the earth: On 'Magiciens de la Terre', 1989 / Rasheed Araeen -- The work of art in the (imagined) age of unalienated exhibition, 1990 / Yvonne Rainer -- Ill Tempo: Looking back at future art, 1996 / Liam Gillick -- The prediction in the age of post-exhibition, 2001 / Qiu Zhijie -- Gwangju, Pause, 2002 / Wan-kyung Sung, Charles Esche and Hou Hanru -- On 'How to live together', 2006 / Lisette Lagnado --
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|a Steeds, Lucy,
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|1 http://viaf.org/viaf/33968802
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