Persona : le théâtre comme métaphore théorique de Socrate à Shakespeare /
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | French Ancient Greek Latin English |
| Published: |
Genève :
Droz,
2011
Genève : 2011 Genève : 2011 |
| Series: | Travaux d'humanisme et Renaissance ;
no 478 Travaux d'humanisme et Renaissance no 478 |
| Subjects: |
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| 100 | 1 | |a Navaud, Guillaume |1 http://viaf.org/viaf/170845598 | |
| 100 | 1 | |a Navaud, Guillaume | |
| 100 | 1 | |a Navaud, Guillaume, |d 1975- | |
| 245 | 1 | 0 | |a Persona : |b le théâtre comme métaphore théorique de Socrate à Shakespeare / |c Guillaume Navaud |
| 260 | |a Genève : |b Droz, |c 2011 | ||
| 260 | |a Genève : |b Droz, |c 2011 | ||
| 264 | 1 | |a Genève : |b Droz, |c 2011 | |
| 300 | |a 544 p. ; |c 25 cm | ||
| 300 | |a 544 pages ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Travaux d'humanisme et renaissance, |x 0082-6081 ; |v no 478 | |
| 490 | 1 | |a Travaux d'humanisme et renaissance, |x 0082-6081 ; |v no. 478 | |
| 500 | |a Revised thesis (doctoral)--Universite Paris IV-Sorbonne, 2007 | ||
| 500 | |a Revised thesis (doctoral)--Université Paris IV-Sorbonne, 2007 | ||
| 500 | |a Revised thesis (doctoral)--Université Paris IV-Sorbonne, 2007 | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. [501]-524) and index | ||
| 504 | |a Includes bibliographical references (pages 501-524) and index | ||
| 504 | |a Includes bibliographical references (pages [501]-524) and index | ||
| 505 | 0 | |a Introduction -- Le chœur et le choreute -- Le personnage -- L'acteur -- La bienséance -- La distanciation -- La polytropie -- Splendeurs et misères des courtisans -- Le poète -- La distribution et l'incarnation des rôles -- L'interprétation : l'autonomie de l'acteur -- Le spectateur et la rétribution de l'acteur -- Conclusion | |
| 505 | 0 | |a Introduction -- Le chœur et le choreute -- Le personnage -- L'acteur -- La bienséance -- La distanciation -- La polytropie -- Splendeurs et misères des courtisans -- Le poète -- La distribution et l'incarnation des rôles -- L'interprétation : l'autonomie de l'acteur -- Le spectateur et la rétribution de l'acteur -- Conclusion | |
| 546 | |a In French; includes text in ancient Greek, Latin and English with French translation | ||
| 583 | 1 | |a committed to retain |c 20181001 |d in perpetuity |f ReCAP Shared Collection |5 HUL |8 222139417850003941 | |
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| 650 | 0 | |a Drama |x Greek influences |0 https://id.loc.gov/authorities/subjects/sh00005986 | |
| 650 | 0 | |a Drama |x Greek influences | |
| 650 | 0 | |a Drama |x History and criticism |x Theory, etc | |
| 650 | 0 | |a Drama |x History and criticism | |
| 650 | 0 | |a European drama |x Greek influences | |
| 650 | 0 | |a Metaphor in literature | |
| 650 | 0 | |a Performing arts |x Philosophy | |
| 650 | 0 | |a Philosophy in literature | |
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| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Metapher |2 gnd | |
| 650 | 7 | |a Metaphor in literature |2 fast | |
| 650 | 7 | |a Metaphysik |2 gnd | |
| 650 | 7 | |a Moral |2 gnd | |
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| 650 | 7 | |a Philosophy in literature |2 fast | |
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