!Esplendores! Splendors of Mexico /

This program follows the magnificent museum exhibition that travels across 33 centuries of Mexican art, from the 12th- to 10th-century B.C. gigantic Olmec heads to Frida Kahlo's self-portrait. The exhibition is divided into four periods: the pre-columbian, whose artistic purpose was to venerate...

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Bibliographic Details
Corporate Authors: Films Media Group, Films for the Humanities & Sciences (Firm)
Format: Unknown
Language:English
Published: New York, N.Y. : Films Media Group, [2012], cuuuu
Subjects:
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505 0 |a A True Artist (0:58) -- A Mexican Identity (0:53) -- Pre-Columbian Epoch (3:19) -- Pre-Columbian Epoch-Palenque and Vera Cruz (2:22) -- Pre-Columbian Epoch- Musical Instrument (1:22) -- Viceregal Epoch (2:52) -- Viceregal Epoch- An Altar Piece (2:15) -- Nineteenth Century (2:23) -- Twentieth Century (2:16) -- Twentieth Century- Cultural Relations (1:56) -- Twentieth Century- Autobiographical Art (1:27) -- Purpose of Mexican Art (4:08) -- Credits: ��Esplendores! Splendors of Mexico (1:04) 
506 |a Access requires authentication through Films on Demand 
520 |a This program follows the magnificent museum exhibition that travels across 33 centuries of Mexican art, from the 12th- to 10th-century B.C. gigantic Olmec heads to Frida Kahlo's self-portrait. The exhibition is divided into four periods: the pre-columbian, whose artistic purpose was to venerate the gods, commemorate the rulers, and give form to the natural world; the Viceregal, whose art was intended to teach the native population about Christianity and turn them into loyal and productive servants of Spain; the 19th century, with its Mexican adaptation of European Romanticism and Naturalism; and the 20th century, with its themes of revolution and pride in Mexico's Indian heritage. The artistic voyage, which covers a range of ages and peoples, beliefs and styles, is united by the strong prevailing sense of Mexican identity and place 
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