Guillermo Gómez-Peña

Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His fifteen books include essays, experimental poetry, performance scripts, photographs and chronicles in both English, Spanish and Spanglish. He is a founding member of the pioneering art collective Border Arts Workshop/Taller de Arte Fronterizo (1985-1992) and artistic director of the performance art troupe La Pocha Nostra.

Gómez-Peña has contributed to cultural debates for over 30 years staging seminal performance art pieces including ''Border Brujo'' (1988-1989), ''Couple in The Cage: Two Undiscovered Amerindians Visit the West'' (with Coco Fusco, 1992–93), ''The Cruci-fiction Project'' (with Roberto Sifuentes, 1994), ''Temple of Confessions'' (1995), ''The Mexterminator Project'' (1997–99), ''The Living Museum of Fetishized Identities'' (1999-2002), ''The Mapa/Corpo series'' (2004-2013) and most recently the border opera ''We Are All Aliens'' (2018–present). His award-winning solo performances mix experimental aesthetics, activist politics, Spanglish humor and audience participation to create a "total experience" for the audience member/reader/viewer.

Gomez-Pena received a MacArthur Foundation fellowship in 1991 for his work as a writer and interdisciplinary artist. Provided by Wikipedia